PERFECT DOCUMENTS – Chaise Musicale

Thomas Mailaender and Ivan Mietton have the pleasure of announcing the creation of their publishing house: Perfect Documents.
Perfect Documents’ originality lies in the choice of its production as all the selected objects have the particularity to be “forgotten” objects. Until till now they remained buried in the state of project and were never fabricated for reasons that history will reveal for each new production. Sometimes left in the state of non-conclusive prototypes, these pieces are real historical documents that Perfect Documents aims to present to the public. Finally, these forgotten projects are the testimony of creative experiments by artists known to evolve outside the sphere of design in different activities.
The Chaise Musicale by Boris Vian, first piece of the collection highlights this concept.

The story behind the production of this chair by Perfect Documents is quite a singular one. Whilst flicking through the illustrated biography dedicated to Boris Vian in the BIZARRE magazine (éditions J.J. Pauvert at a bookstand in Paris), Thomas Mailaender discovers published a drawing and a photo of the writer’s chair. Curious of the form of this chair, the two founders of Perfect Documents got in touch with the Boris Vian estate to know more about this object without knowing that it was still there in the writer’s apartment in between his photographs, his jazz records and the pataphysics diplomas of the famous writer.
From Boris Vian’s original drawings that Perfect Documents was able to consult in the archive of his estate, and thanks to the numerous anecdotes told by Nicole Bertolt in charge of the artist’s artistic heritage, we discover that Vian had imagined a chair in the shape of a star, with slightly elevated seat in order to leave room for his large legs when playing the lyra-guitar. He then set out and made the chair using lengths of pine wood assembled by nails and held together by hemp rope.
Perfect Documents produced a facsimile named “Chaise Musicale” (musical-chair) in the Ateliers Antoine Daniel as an homage to the passion the artist devoted to music.

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