The whole world, up to today

©Hans Peter Feldmann, “Untitled”, 1976, 1976. Offset lithographie, coll. Frac Nord-Pas-de-Calais, vue d’exposition à la Villa du Parc, CAC Annemasse, photographie Aurélien Mole – Batia Suter, “Seat”, slideshow + chair, 2014, courtesy l’artiste, vue d’exposition à la Villa du Parc, CAC Annemasse, photographie Aurélien Mole.

The whole world, up to today explores, until May 30 at Villa du Parc, Annemasse, the use of the archive in contemporary art.
The constitution of archives and their presentation in museums began to appear in the art of the 1960s, taking the form of dispositifs (apparatuses) and installations, often on a monumental scale. Such works are based on the accumulation of homogenous documents whose singularity recedes behind the system in which they partake. Rather than highlighting novelty or the emancipatory virtues of the image – as in the case of collage before the war – the ambition of these works is, on the contrary, to reveal the unchanging features of our representations (stereotyped poses, banal motifs, etc.) and to emphasize their value as memorial and societal indicators…

With artworks by The Atlas Group, Bernd et Hilla Becher, Christian Boltanski, Frédéric Bruly Bouabré, Gérard Collin-Thiebault, Hanne Darboven, documentation céline duval, Hans Peter Feldmann, On Kawara, Christian Marclay, Batia Suter, Oriol Vilanova, Akram Zaatari. Curated by Garance Chabert & Aurélien Mole.

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