ED RUSCHA: HISTORY

Spanning over fifty years, Ed Ruscha’s artistic production has been variously discussed under the rubrics of Pop Art and Conceptual Art. However, the remarkable diversity of Ruscha’s work eschews categoriza- tions whether historiographical or medium related. Ruscha’s example has been seminal not only in the field of painting, but also in printmaking, photography, graphic design, experimental filmmaking as well as architecture. It is this versatility and the interdisciplinary nature of Ruscha’s art that the International Symposium, March 11 & 12, 2015, at Centre Pompidou in Paris, intends to address.

With Ed Ruscha, Robert Dean (Studio Ruscha, Los Angeles), Lisa Turvey (Studio Ruscha, New York), Cécile Whiting (University of California, Irvine), Anne Mœglin-Delcroix (Université Paris 1 Panthéon-Sorbonne), Briony Fer (University College, London), Linda Norden (Malmö Art Academy, Lund University), Michel Gauthier (Centre Pompidou, Paris), Elizabeth A. Kessler (Stanford University, Palo Alto), Margit Rowell (art historian, Paris). The symposium is convened by Benoît Buquet (Université François Rabelais de Tours), Jean-Pierre Criqui (Centre Pompidou), and Larisa Dryansky (INHA/Université Paris-Sorbonne).

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