The Liberated Page

The recent evolution and democratisation of printing techniques has encouraged many artists to re-evaluate their position in relation to literature, to books, and to the page. Dedicated to the exploration of new practices within art book production, The Liberated Page will consider the page for its simultaneously poetic, structural and physical elements.

From November 21 to December 28 2014, Bâtiment d’art contemporain, Le Commun, in Geneva, the exhibition will highlight a wide range of interventions and approaches, and will discuss in particular, how artists invent new books and why their invention opens up new possibilities for the page – as well as for communication and language.
The Liberated Page will highlight the work of several contemporary artists concerned with the page, in conversation with such historic examples as books from artists Dieter Roth, Edward Ruscha, and Seth Siegelaub, bookworks from publishing houses Something Else Press and Ecart (including work by Daniel Spoerri, Robert Fillou, Emmett Williams, and Dick Higgins), an anthology by Guy Schraenen, the Mèla post card book from Maurizio Nannucci, as well as the complete Franklin Furnace archive.

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