Since 1967, designers and architects Trix and Robert Haussmann have built an idiosyncratic oeuvre that has continuously challenged architectural, design and aesthetic conventions. In the 1960?s they began to elaborate a complex language that can be viewed as an early post-modern or Radical Design position. Throughout their fifty year long career they have explored many creative perspectives, such as poetry composed by chance, drawings, collages and texts.
Disrupting or “destroying” spaces and forms could be one of the Haussman?s mottos. For instance, their drawer, shaped in the form of a Greek column, is literally “destroyed” by its function (the opened drawers). This work in particular is a direct, deadpan nod to Sullivan?s famous statement “form follows function”. It?s not surprising that the Haussman?s 1981 manifesto was published under the title of “Manierismo Critico”. In contrast to other designers and architects, Trix and Robert Haussmann are acutely conscious that an object can be more a vector of meaning than a functional or aesthetic item. This relationship to the object opened them up to a broader vision of what it means to be an architect today.
The exhibition, from April 26 to June 15, 2014, at Fri Art, Fribourg, entirely conceived in close collaboration with the architects over a long period of time, examines every aspect of their research. Nevertheless, far from being a classical retrospective, it will weave together different bodies of works.