© Mathias Schweizer

Mapping the contemporary art scene may seem impossible. It is nonetheless the aim of ORACULAR / VERNACULAR. Revolving around two seemingly opposite aesthetics, this exhibition offers a view into European and North-American processes. Charlotte Cosson and Emmanuelle Luciani have gathered new or overlooked works of art by Mathieu K. Abonnenc, Neïl Béloufa, Julie Béna, Michel Boisse, Bertrand Dézoteux, Marine Hugonnier, Dominique Hurth, Alex Israël, Ikonotekst Group, Kolkoz, Kapwani Kiwanga, Gareth Long, Benoît Maire, Shana Moulton, Falke Pisano, Sunita Prasad, Olivia Plender, Julien Prévieux, and Ryan Trecartin at MAMO – the Cité Radieuse, Marseille, December 15 – February 16, 2014.
Some of these artists engage scholar-like researches before translating them into mainly black & white works of art; others use synthetic colors, 3D modeling and harsh encrustations. Does this conflict of aesthetics – issued from minimal and conceptual art or from the Internet – really mean that these currents are contradictory? Their common points of interest seem to prove wrong…

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