Stephan Kepppel — Entre Entree (edition)

February 24th, 2015

Stephan Keppel’s photographic work originates from marginal phenomena related to architecture, interiors and suburbs. He collects and arranges images and objects in order to engage them in a long-term relationship, resulting in a process which engages photography, reproduction and other supporting media. Entre Entree is a project about the Parisian suburbs and the city’s ring road, the Boulevard Périphérique, wherein Keppel conceives a fragmented and claustrophobic urban landscape, manifested through numerous black-and-white images of concrete facades, vegetation and the textures, shapes and materials that together form the entity of the city. Signing of the limited edition, March 5, 7pm, Le Bal, Paris.

Posted in Books, Photography

Fantasies of the Library

February 18th, 2015

Fantasies of the Library is a sequence of pages wherein the reader-as-exhibition-viewer learns—rather surprisingly, but with growing conviction— that the library is not only a curatorial space, but that its bibliological imaginary is also a fertile territory for the exploration of consequential paginated affairs.
Fantasies of the Library inaugurates the intercalations: paginated exhibition series conceived as a curatorial-editorial space enabling explorations of the book as a form of exhibition architecture in relation to other aesthetic practices in the Anthropocene.

Posted in Books

PASPIER N°1: «5 Ptohograhpies — 40 × 28 cm»

February 6th, 2015

Consisting of five pictures, the big format portfolio PASPIER N°1: «5 Ptohograhpies — 40 × 28 cm» presents the Ptohograhpies series Roches Mammifères — Dissimulaits, a naturalistic study of cheese in the process of molding.

Posted in Art

Frederick Kiesler: Visions at Work

February 6th, 2015

From February 11 until May 2, 2015, Tensta konsthall, Stockholm, will show Frederick Kiesler: Visions at Work an exhibition of Frederick Kiesler’s genuinely transdisciplinary work. Frederick Kiesler (1890–1965) was an architect, artist, scenographer, pedagogue, theorist and – not least – a groundbreaking exhibition designer.

From the 1920′s constructivist-inspired theater exhibitions in Vienna and Paris and the early 1930′s acclaimed shop window presentations in New York City to the legendary scenography for Peggy Guggenheim’s Manhattan gallery Art of This Century (1942) and the collaboration with Marcel Duchamp, Kiesler paved the way for a dynamic view of the art experience.
Working with the monumental ‘The Shrine of the Book’ (1965) in Jerusalem, he extracted ideas and forms from his often reproduced ‘Endless House’, a visionary bio-morphic building where, to quote Kiesler himself, ‘all the ends meet’ . Underlying much of Kiesler’s work were his thoughts on the continual interaction between man and his natural and technological environments, as defined in the theory of correalism. Although Kiesler was a member of de Stijl, a close friend and collaborator of Duchamp, André Breton, Alfred H. Barr and several other key figures in the art of the 1900′s, as well as an influential teacher at Columbia University in New York, he is something of an unknown.

The exhibition will feature models and documentations of Kiesler’s designs for exhibitions, buildings, interiors, shop-windows, etc. from various periods. The exhibition will also include prototypes, including those of his Mobile Home Library and the mass-produced so-called correalist furniture, among others. The focus will be on Kiesler’s interest in the intersection between art and life and how this manifests in his works. The artist Céline Condorelli, who has a long-time interest in exhibition design and modes of presentation, will contribute to the project.