Pliure. Prologue (La part du feu)

January 28th, 2015

The exhibition Pliure. Prologue (La part du feu) (Fold. Prologue (The share of the fire)), January 30 to April 12, Fondation Calouste Gulbenkian, Paris, explores the significance of the book and “the infinite sum of its possibilities” (Blanchot). What can occur to a book when it is in permanent relation with an artistic gesture? How is art transformed in dialogue with a book and how is a book transformed by art? On these occasions, the book becomes a laboratory for aesthetic experiences, while leading towards such experiences by its very essence. This exhibition does not aim to be retrospective, historical, or to function as an anthology. Pliure does not claim to embrace an entire theme or to prove a definitive theory but it attempts to show how the realm of books has provoked art and continues to do so. The term “pliure” (fold) refers in part to an action (and even to a specific function in a former printing factory), but also to the trace left by this action and therefore to the fold or the crease this action imprints on the paper. As such, the fold synthesizes the act of doing and what has been done, it is at once a memory and the consequence of a gesture. With the fold, the book has two possibilities: it opens or it closes, reveals or hides. Thanks to the fold, something unexpected is the other side of the page and this is the characteristic mystery of the book.

The exhibition bring together approximately 40 works dating from the 16th to the 21st centuries: films, sculptures, installations, paintings and rare books, by Helena Almeida, Christian Boltanski, Lewis Carroll, Lourdes Castro, Geoffrey Chaucer, Rui Chafes, Claude Closky, d’Alembert, Raffaella della Olga, Diderot, Dürer, Marcel Duchamp, Olafur Eliasson, Hans-Peter Feldmann, Robert Filliou, Jean-Luc Godard, John Latham, Sol LeWitt, Richard Long, René de Lorraine, William Morris, Bruce Nauman, Alain Resnais, Ed Ruscha, Dayanita Singh, Michael Snow, François Truffaut, Maria Helena Vieira da Silva, Wolf Vostell, Lawrence Weiner and Francesca Woodman.
Pliure questions and enlarges our traditional perception of books and artworks, imbued with the strong belief that, as Mallarmé would say, “there is no explosion but a book.”

The ENSBA will receive the second part of this exhibition. Pliure. Epilogue (la bibliothèque, l’univers), 10 April to 7 June, 2015, Palais des Beaux Arts de Paris.

Posted in Art, Books, Exhibitions

Brian Roettinger: Reproductions

January 16th, 2015

The Thing Quarterly is an object based publication. Each issue is conceived of by a different contributor. The object is reproduced, wrapped, and shipped to the subscribers.
Artist and graphic designer Brian Roettinger‘s issue 25 for The Thing Quarterly, Reproductions, is a massive catalogue raisonné that collects, documents and indexes the majority of his design work produced to date. The works, which are reproduced in black and white from photocopies, are not presented chronologically, nor is it clear, upon first inspection, which project is which: an early version is shown, sometimes just a sketch, and in some cases, the final printer proofs. Unlike a traditional monograph, Roettinger’s reimagined interpretation is a testament to the process itself, and underscores the poles of his approach, which is both visibly chaotic and meticulously organized. Launch, January 30, 8.30pm, Ace Hotel, Los Angeles.

Posted in Books, Graphic Design

198 assemblages du bois / Wood joints

January 16th, 2015

198 Wood Joints (an inventory) is the first ever published compilation of wood joints technics of that size, presented in the guise of an impressive axonometric series created and realized by Elias Guenoun. The book ends with a postface by the author (an architect and architecture theoretician) depicting the origins and ambitions of the project. 198 Wood Joints is not only a useful and practical technical collection for wood workers, it is also a formal object with state of the art graphics (by the reknown French graphic designer Philippe Millot) recalling Conceptual Art series of the 70s in the US, such as Sol LeWitt cubicle permutations artworks for instance.

Posted in Architecture, Books

Le Tapis (fair use)

January 9th, 2015

Reproduction of the floor piece Le Tapis (fair use) by Pierre Leguillon, consisting of a collection of graphically striking record sleeves designed by artists, surrounded by postcards from a large variety of art institutions showing objects on a monochrome background. On the backside all sources and credits are collected as found on the originals. Printed and hand folded in an edition of 600 copies. Published on the occasion of Leguillon’s solo exhibition The Museum of Mistakes: Contemporary Art and Class Struggle at Wiels, Brussels.

Posted in Art, Books