The Visual Event

June 24th, 2014

Is it possible to understand graphic design as a practice beyond an object-centric approach, as a practice beyond the conception and production of well-designed and printed artefacts? Which other potentials to create a public should be considered integral to design as an activity?
The Visual Event explores the question of how such an extended practice could be thought, which graphic, spatial and temporal forms such a situational practice could take, and tests the idea of the “visual event” from various perspectives of visual culture. The project compiles numerous contributions by artists, academics, designers, architects, and students of the System-Design Class at the Academy of Visual Arts Leipzig.

Posted in Graphic Design

Flaneur Magazine

June 20th, 2014

Flaneur presents one street per issue. The magazine embraces the street’s complexity, its layers and fragmented nature with a literary approach. It creates a meaningful correlation between places, stories, people and objects that aren’t necessarily related. The magazine is aware of its subjectivity. It wants to say: “This could be Georg-Schwarz-Straße”.
Flaneur issue 3, Rue Bernard, Montreal, will be launched June 27, from 6pm, in Berlin, and July 4, from 6pm, in Montreal.

Posted in Periodicals

ARK: Words and Images from the Royal College of Art Magazine 1950-1978

June 10th, 2014

During its fifty-four issue run, spanning nearly three decades, ARK was an influential presence in British cultural life. A magazine created by students at the Royal College of Art in London, ARK attracted international attention for its often bold and fast-changing design as well as the extraordinary cast of writers and artists who contributed to its pages, including Ralph Rumney, Lucio Fontana, Alison and Peter Smithson, Toni del Renzio and Reyner Banham, as well as college students and staff.

ARK: Words and Images from the Royal College of Art Magazine 1950-1978 is an anthology the magazine ARK. It includes original material from the magazine, selected and introduced by students on the Critical Writing in Art and Design MA programme at the RCA today. Also featured, in full colour, are all the covers of ARK and an index of the magazine’s contents. This new publication will offer a vivid overview of changing attitudes and approaches to art and design in Britain in an age of considerable flux.
Symposium & Book launch, June 25, Royal College of Art, London.

Thomas Mailaender – Cyanotypes

June 10th, 2014

Invented by the English scientist Sir John Herschel in 1842 as a means for blueprinting, the cyanotype process is a simple and inexpensive printing method characterised chiefly by its cyan-blue hue. It was first popularised as a photographic printing technique in 1843 by Anna Atkins, a botanist who employed the practice to illustrate her collected herbarium specimens. Attributable to its affordability and amateur procedure, the cyanotype subsequently became a prevalent photographic process into the turn of the century.

Cyanotypes is an innovative exhibition – June 10 to 28, Roman Road, Brussels; June 14 to 26, MAD Agency, Paris – by the French multimedia artist Thomas Mailaender whose appropriation of this traditional technique serves not to comment, nor to foster a significant yet outmoded genre in the history of photography. Rather his cyanotypes challenge and satirise the clichéd legitimacy and parameters of today’s art. Imbued with humorous and bold content, Mailaender’s cyanotypes manifest images taken from the artist’s Fun Archive, a personal collection of absurd and anonymous pictures drawn from the Internet.

Please Come to the Show

June 3rd, 2014

To mark the launch of Please Come to the Show, edited by Museum of Modern Art Bibliographer David Senior, Occasional Papers invites Berlin-based Bar Vulkan – June 10, from 6:45 pm, at Institute of Contemporary Arts in London – to host an evening devoted to celebrating the exhibition invitation card, a key yet often overlooked element of exhibition-making.

David Senior selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present (overview on pleasecometotheshow.tumblr.com ) – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art.
Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays by Gustavo Grandal Montero, Will Holder, Antony Hudek, Angie Keefer, Clive Phillpot, David Senior and Suzanne Stanton.

Posted in Art, Books, Graphic Design