The Myth of Life; metal, plastic, paper and rubber with electrical components

February 27th, 2014


They look at each other. Both are smiling, faintly (Harold Pinter, The Caretaker), Paul Elliman, 2004

For the talk titled “The Myth of Life; metal, plastic, paper and rubber with electrical components”, Paul Elliman will talk about the references to the Frankenstein story which occur within his work.
Accompanying the talk will be a presentation of the Mary Shelley Facsimile Library, a supplement to the WT Library where participants accumulate bibliographies for their thesis as reference for their work and for future participants.
An invitation by the Werkplaats Typografie, Hosted by HEAD, March 3, 7:30pm, Boulevard Helvétique 9, Geneva.

Posted in Graphic Design

BOLD ITALIC 2014

February 27th, 2014

Bold Italic is an entire day related to graphic design with lectures and presentations. The guests of the 10th and final edition – March 20 in Gent – are Omar Sosa (Apartamento Magazine), Dimitri Broquard & Bastien Aubry, Manuel Raeder, officeabc in conversation with Christophe Lemaitre, and Stuart Bailey.

Posted in Graphic Design

Jaap Scheeren Cut Shaving – The Xerox Edition

February 24th, 2014



‘Fresh anarchy’ is a way to describe the work of Dutch photographer Jaap Scheeren. With his own, slightly absurdistic, style he investigates the coherence between reality and photography. By doing so Scheeren developed a visual world in which he follows its own intuition, logic and rules. Always with a humorous twist. Jaap Scheeren Cut Shaving, The Xerox Edition combines for the first time all of Schereen’s work. The publication explores ways of reproducing photography, photo books and visual archives, resulting in a a fresh and anarchistic publication that is not just documenting Scheeren’s oeuvre, but also becomes part of it.

Posted in Art, Books, Photography

Harun Farocki Diagrams

February 20th, 2014

Harun Farocki Diagrams. Images from Ten Films, edited by Benedikt Reichenbach, attempts to map a visual approach to one of the world’s foremost documentary and essay filmmakers, Harun Farocki. Unlike the many other, more theoretical publications about his work, this book operates with still images beyond an illustrative or documentary purpose. By means of repetition, interruption and displacement, the configurations pursue specific movements within each film, taking into account mechanisms of order and open-endedness that are characteristic for Farocki’s work in general. “Diagrams” traces the dynamics of ten of Farocki’s films and presents them along with each film’s complete commentaries, dialogues and intertitles, celebrating their major critical gesture: the exposition of mediality.
Talk & screening, with Harun Farocki and Anselm Franke, March 6, 2014, 7pm, Arsenal – Institute for Film and Video Art, Berlin.

Posted in Art, Books

Messages and Means: Muriel Cooper at MIT

February 20th, 2014


Muriel Cooper, self-portrait with Polaroid SX-70, video imaged and printed at the Visible Language Workshop, MIT, c. 1982

Muriel Cooper worked across four decades at the Massachusetts Institute of Technology in overlapping roles as a graphic designer, teacher, and researcher. Spanning the transition from print, to early explorations of digital typography, to fully evolved information environments, Cooper’s tenure at MIT maps onto one of the most dynamic periods of the school’s technical, conceptual and theoretical development.
As the first Design Director of the MIT Press, Cooper established a comprehensive publishing program and designed books like The Bauhaus (1969) and Learning from Las Vegas (1972). As co-founder of the Visible Language Workshop, she taught experimental printing, tested large-format Polaroid photography, and integrated video systems in MITs Department of Architecture. And at the MIT Media Lab, she developed some of the earliest computer interfaces and educated a generation of designers. Throughout, her approach remained consistent: creating tools and systems for rapid feedback, dissolving boundaries between design and production, and restlessly seeking out new problems.

The exhibition Messages and Means: Muriel Cooper at MIT, organized by David Reinfurt and Robert Wiesenberger with Mark Wasiuta, will take place at Arthur Ross Architecture Gallery, Columbia University, New York, from February 25 to March 28, 2014.

Upcoming Art Book Fairs – March 2014

February 14th, 2014

Fahrenheit 39, March 7-9, Ravenna
It’s a book, March 15, Leipzig
Pa/per view, March 21-23, Brussels
Artists Print III, March 21-23, Brussels

Posted in Art, Books

ORAIBI à Rosabrux

February 10th, 2014

Oraibi – librairie itinérante et structure curatoriale basée à genève – invite l’artiste et designer Clémence Seilles, accompagnée de The Estate of Matt Montini, à produire un dispositif de présentation d’une sélection de livres, du 14 au 16 février 2014, à Rosa Brux, Bruxelles. Choisis parmi son catalogue, les ouvrages s’articulent autour des sources littéraires et artistiques d’un psychédélisme revisité, paneuropéen et francophone : livres anciens, raretés, poésie surréaliste, manifestes, revues psychédéliques, catalogues d’exposition, littérature, publications récentes et inédites.

Posted in Art, Books, Exhibitions

Livre Imaginé – Dans Cinquante Ans d’Ici

February 10th, 2014

Livre Imaginé – Dans Cinquante Ans d’Ici is a group exhibition – curated by Niekolaas Johannes Lekkerkerk – on the future of the book and other variable formats with AND Publishing & Åbäke, Xavier Antin, Ruth Beale, Nina Beier & Marie Lund, Elena Damiani, Aurélien Froment, Ryan Gander, David Jablonowski, Laurie Kang, Boris Meister, Klaus Scherübel, Sebastion Schmieg & Silvio Lorusso. March 12 to April 19, Les Territoires, Montréal.

The exhibition posits the book – as both thing, container and idea – against the backdrop of some recent and ongoing discussions that address the probable demise of the bound volume in conjunction with the emergence of digital reading devices. As the title of this exhibition already implies, a somewhat speculative approach towards the subject is taken insofar any productive attempt at summation of the debate has resulted in stances taken on either side, but quite obviously avoided closure as the situation undoubtedly remains open–ended.

Posted in Art, Books, Exhibitions

“Information Room” – L’édition comme reflet d’une expérience

February 5th, 2014


© Stalles

Dans le cadre de la table ronde L’édition comme reflet d’une expérience, le 14 février, 18h30, à Mains D’Œuvres, Saint-Ouen, “Information Room” est une exposition de publications qui questionnent l’enregistrement, le commentaire et le prolongement de projets artistiques. Du catalogue au livre d’artiste, en passant par l’ouvrage théorique ou le carnet de recherches, ces entreprises éditoriales, aux intentions, formes et formats variés – parfois composites ou ambiguës – incarnent des expériences de mise en tension d’une idée et de sa trace, du geste et de sa captation, d’un objet et de sa représentation, de l’espace d’exposition et de l’espace du livre, de l’oral et de l’écrit.

IT’S A BOOK

February 2nd, 2014