Typojanchi 2013

August 30th, 2013

Typojanchi, Seoul International Typography Biennale, August 30 to October 11, 2013, is an international exhibition of typography to explore various intersections of the art of visible language and other cultural disciplines.
Typography has a dual identity: it is as much an art of language as a visual art. Typojanchi 2013 is devoted to the literary potentials of typography in the overlap of the two realms.

Rather than merely visualizing a given text, contemporary typography has come to actively engage in the production and distribution of the text. Exploring the themes traditionally reserved for literary studies such as conditions, conventions and nature of writing, typography itself becomes a form of literature. Meanwhile in literature itself, there is an experimental tradition of non-verbal—visual and material—devices. From concrete poetry to the OuLiPo group, metafiction and visual writings, the formal investigations have helped widen the boundaries of literature, inspiring many typographic designers. In addition, the widespread digital production and network technology have had a deep impact on the way we write, share and read texts, fundamentally transforming its nature and status. All these have contributed to the changing status of the text, from a solid common ground for communication to a more intangible and transient clouds in the air.

Typojanchi 2013 attempts to read and write the new text emerging from the shaking tradition of literary culture, examining the conditions and possibilities of the super-expanded, super-fluid, super-dynamic and super-sensitive text.

lawrence weiner: written on the wind

August 27th, 2013

Lawrence Weiner: Written on the wind – september 21, 2013 to january 5, 2014, Stedelijk Museum, Amsterdam – is a comprehensive survey of works on paper by Lawrence Weiner, one of the most culturally engaged artists of our time.

The exhibition comprises an extensive survey of nearly 300 drawings produced over a fifty-year period. The exhibition takes visitors on a journey through the artist’s remarkable trajectory in drawing— from cartoons, notebooks, and otherwise unseen working material and sketches, together with formal works on paper. The exhibition is narrated by his gestural graphics, leading the viewer into the sensibility of Weiner’s oeuvre. Many works contain his initial thoughts and ideas that are often seen transformed into the artists sculptural works using language. Drawing is at the origin and underlines his entire production; the exhibition itself is organized as if it were a drawing in and of itself, as the exhibition has been composed by the artist in a specially designed architectural installation.

Posted in Art, Exhibitions

ANDRÉ SARAIVA – DREAM CONCERTS

August 27th, 2013

In Paris, New York, London, and Los Angeles, show posters for concerts with all-star lineups have been tempting passersby and drivers to attend Madison Square Garden or the Bowery Ballroom, L’Elysee Montmartre or the Wiltern. The months and days of these concerts are listed but not the years, spelling errors are spotted-choice exclusions that add to the growing doubt that these dream acts will ever grace the stage all together on one night. Double-take on these worn posters and you’re not even sure if they’re coming up or something missed and legendary from long ago, but posted in public space, the anticipation is real. Upon closer inspection we see that these epic concert announcements are actually paintings of lineups that only exist in the imagination of artist Andre Saraiva. The artist returns to The Museum of Contemporary Art, Los Angeles, until october 8, 2013, for an installation of these painted announcements, visual evidence of the buzz that signs can create when circulated in the streets.

The Social Life of the Book / Record

August 27th, 2013

The Social Life of the Book is a collection of commissioned texts dealing with books, and how they engage with the circulation of ideas and the agency of social situations. It brings together artists, publishers, writers, designers, booksellers, etc. who consider books less as finished objects or forms but for their disruptive potential and their ability to produce new relationships, new publics and new meanings.
It develops as a series of 16-page, saddle- stitched signatures. In its contents as well as its distribution, the series aims to entice readers into a particular attention not only to printed material as such, but also to the ecosystem of knowledge writing, publishing and distributing form together.
The last issue, SLOB (The Social Life of the Book) #4: Kinesics of the Page, by Avigail Moss, is now available.

Addressing parallel questions, SLOR #01 – Everybody Knows This Is Nowhere plays off its format and inaugurates the new series The Social Life of the Record, a series of original texts by musicians, fans, critics, collectors, dealers, label owners etc. — reflecting on recording, releasing, listening to, filing, flipping and DJing records today.

Posted in Art, Books, Periodicals

30 Years of Swiss Typographic Discourse in the Typographische Monatsblätter

August 27th, 2013

The Typografische Monatsblätter is one of the most important journals to successfully disseminate the phenomenon of “Swiss typography” to an international audience. With more than 70 years in existence, the journal witnessed significant moments in the history of typography and graphic design.
30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter examines the years 1960–90, that correspond to a period of transition in which many factors such as technology, socio-political contexts and aesthetic ideologies profoundly affected and transformed the fields of typography and graphic design. The book includes a large number of works from well-known and lesser-known designers such as Emil Ruder, Helmut Schmid, Wolfgang Weingart, Hans-Rudolf Lutz, Jost Hochuli and many others.

Posted in Books, Graphic Design

NY Art Book Fair 2013

August 27th, 2013

Printed Matter presents, from September 20 to 22, at MoMA PS1, New York, the eighth annual NY Art Book Fair, the world’s leading event for artists’ books, catalogs, monographs, periodicals, and zines showcased by more than 280 booksellers, antiquarians, artists, and independent publishers from more than twenty countries.

Among other special programming, The Classroom, a curated series of informal conversations, workshops, readings and other artist-led programs, is also an informal venue for artists, writers and publishers to feature new releases and present their publications. Participants include Tréy Sager with Badlands Unlimited (New York); Olof Olsson with Rollo Press (Switzerland); Linda Simpson with Peradam (New York); Elisabeth Tonnard and Chris Burnett with J&L Books (Scranton, PA); Amish Morrell with C Magazine (Canada); the curators of the Libros Mutantes Book Fair (Spain), etc.
An exhibition of book works by Bruno Munari, presented by Edizioni Corraini, will be housed in the courtyard dome. The exhibition includes a collection of rare and out-of-print artist and design books by the late Italian artist, offering a comprehensive survey of his influential career. Selections from the private collection of Giorgio Maffei will be on view as well…whole program on NY Art Book Fair 2013 website.