Art & Leisure and Art & Leisure – Dante Carlos

April 29th, 2013

Art & Leisure and Art & Leisure presents work by graphic designer Dante Carlos, May 24 – July 11, 2013, London Centre for Book Arts. The exhibition will centre on an editioned book, displayed in the space, as well as available for purchase, and Dante Carlos will use the form and function of a calendar to create a casual polemic and a reorganization of days.


April 29th, 2013

The image of the “blue planet”, a new perspective of the earth as seen from the outside, is one of the most popular images in history. This image, more than any other, has shaped the popular notion of the age of the “whole world” and globalization, from a worldwide society linked by the Internet to the current debate on the climate. Using artworks and materials from cultural history, the exhibition will critically explore the application of ecological-systemic concepts to society, politics, and aesthetics.

The exhibition The Whole Earth – until July 1, Haus der Kulturen der Welt, Berlin – is one of the first to explore the history of the photograph of the “blue planet”, and reflects in a comprehensive way the power of the Whole Earth Catalog

Two in the Wave – Cahier 2 – CC

April 23rd, 2013

The exhibition Two in the Wave, with works by with Thomas Jenkins and Batia Suter – until May 25, PrintRoom, Rotterdam – presents two works concerned with the artistic treatment of printed–matter and the book in light of our surrounding seas, oceans and the connotations these seemingly boundless expanses put forward. As advanced by the two works, there is a sensible retreat from the documentary image to its recovery in the element of the fictional.

The exhibition is accompanied by a number of artist publications and bookworks sharing a similar resonance and topicality, employed to showcase different perspectives and entries on the artistic engagement with bound volumes and the aquatic. In addition, the publication Cahier 2 – CC features a selected correspondence between Niekolaas Johannes Lekkerkerk, curator of the exhibition, and Thomas Jenkins, revolving around the work The Seas and Oceans of The World.

Posted in Art, Books, Exhibitions

Wandering No.2

April 22nd, 2013

Wandering is an annual journal discussing topics of urbanity and nature. The contributors are asked to engage in a conversation about wandering and/or hiking. Usually they invite other contributors and open up the range of both content and discourse. They are left free to interpret the subject matter in any form. Most of them hand in materials such as audio recordings, text files or images, which then are edited and put in sequence by the editorial team of Wandering.

Wandering No.2 contributors are Angie Keefer, Krist Gruijthuijsen, Hans Christian Dany, Ariane Müller, Marvin Taylor, Dennis Cooper, Jeanne Graff, Jorge And Angel Abreu, Megan Rooney, Bonny Poon, Clara Meister, Maria Loboda, Nikola Dietrich, Axel John Wieder, Gretchen Faust, Matthew Lutz Kinoy, Travis Boyer, George Rippon, Chelsea Cup, Buck Ellison, Dena Yago, Anina Trösch, Max Brand, Pippin Wigglesworth, Bea Schlingelhoff, Tobias Madison, Harald Lenzer, Barbi Markovic, Martin Ebner, Robin Watkins, Marco Bruzzone, Laura Preston, Aurélia Defrance, Phillip Zach, Daniel Cremer, Tiril Hasselknippe, Gertrud Sandqvist, Stewart Uoo, Ken Okiishi, Ei Arakawa, Beatrix Ruf, Helen Marten, Polly Staple, Max Pitegoff, Calla Henkel, Grayson Revoir, Gerry Bibby, Kerstin Cmelka, Ann Cotten, Colin Whitaker, Taocheng Wang, Vivian Ziherl, Yuri Manabe, Karl Holmqvist, Nick Mauss, Kris Lemsalu, Amy Egerdeen, Andrew Smith, Eleonore Meier, Todd Banhazl, Daniel Raj Koobir, Rafael Palacio Illingworth, Ilja Karilampi, André Cherigui, Aude Pariset, Jon Rafman, Martin Kohout, Keren Cytter, Caroline Busta, Martynka Wawrzyniak, Jordan Lord, Anicka Yi, Ruairiadh O’connell, Eric Sidner, Max Brand, Constantin Und Leopold Thun, Michelle Byrd, Adrian Williams, Suzie Zak, Amy Ball, Neal Moignard, Justin Apperley, John Beeson, Elvia Wilk, Erika Landström, Felix Riemann, Fabrice Stroun, Heike-Karin Föll, Hannah Weinberger.
Launch April 25, 2013, 7pm, Motto, Berlin.

Posted in Art, Periodicals

Please Come to the Show, Part I (1960–1980)

April 19th, 2013

Since its beginnings, the MoMA Library has housed several collections of artists’ files and subject files, which contain assorted printed ephemera like announcement cards, press clippings, posters, and flyers. These materials illustrate an elaborate range of artistic activities and can contain unique elements from an artist’s practice.
This two-part exhibition Please Come to the Show – Part I (1960–1980), May 8 – July 15, 2013, MoMA, New York – gathers a sample of innovative printed invitations, small posters, and flyers from the early 1960s to the present. The selection traces ways in which artists, designers, and galleries have used invitation cards and other printed announcements as a part of the staging of conceptual works, installations, performances, and other time-based events and screenings. This diverse grouping of ephemera explores the various, surprising ways that we have been invited to experience art.

Posted in Art, Books, Exhibitions

Linus Bill & Adrien Horni

April 19th, 2013

Linus Bill & Adrien Horni

Posted in Art, Books

Nicholas Gottlund – MAKE READY

April 16th, 2013

“I come from a family of printers. If I consider myself a printer, that would make me the sixth generation printer in my family. I worked in their printing plant for a few years. In doing the make-ready or set up of any task, whether it be printing, folding or binding there is a certain amount of waste; bad impressions, misalignment, not enough bleed, roller marks–all sorts of imperfections. To account for this is part of the job and extras are made–Overs.

This concept of Overs is something that I carry into my own book making. Even when making a unique or one off, I will make two copies; an A and a B. That way I’m covered in case something goes awry. Often though, things go smoothly and I’m left with all my Overs. This body of work draws on these aspects of the printing process to highlight a level of detail contained in the make-ready, the edition and the Overs. It is how these separate yet linked objects relate to one another when viewed in the same space that demonstrates their making most clearly.

For each book on display, there is a companion piece. The works in this exhibition -
MAKE READY – As & Bs, A Series of Pairs, April 18 – May 1, 2013, KARMA, New York – both extrapolate upon the bound book as well as transform their materials by means of folding, cutting, exposing and overprinting–all methods that are routinely used in the production of the book. Through the manipulation of the method, the material, the tool and the reference, attention is brought back to the detail. It is not the detail–ing as in the addition of embellishment or of a final once over, but the inherent palpable quality of process made evident.” Nicholas Gottlund

Posted in Art, Books, Exhibitions

There’s more to life than books, but not much more

April 14th, 2013

There’s more to life than books, but not much more, a research project initiated by castillo/corrales, is a public seminar curated by Benjamin Thorel, May 9 – May 11, 2013, Art Metropole, Toronto, with with Laure Giletti (castillo/corrales, Paraguay Press), Chris Lee (Scapegoat), François Lemieux (Le Merle), Patricia No (Publication Studio), Kajsa Ståhl (Åbäke), Maki Suzuki (Åbäke, Dent-De-Leone), Benjamin Thorel (castillo/corrales, Paraguay Press), and more. Including Lazy Susan, a rotating notation machine by Jp King.

There’s more to life than books, but not much more develops as the Toronto iteration of a parallel project, The Social Life of the Book, that investigates the undertakings of some contemporary artists, publishers, writers, designers, booksellers, etc. that concern the circulation of texts and ideas in a multitude of ways besides the grand gesture of releasing a brand new book. It examines notably the economics and pragmatics of publishing and distributing books today; the social space of reading; the practices of scanning, bootlegging, translating, quoting, re-editing existing material; the ways texts can open up to events, actions, gestures, and other unforeseeable incidents.

Posted in Art, Books, Graphic Design

Portfolios: Common Name – Precise – Kent Fonn Skåre/Guten Guten

April 12th, 2013

Common Name (Yoonjai Choi & Ken Meier)

Precise (Luke Archer)

Kent Fonn Skåre / Guten Guten

Posted in Art, Books, Graphic Design

Thick As A Brick

April 12th, 2013

Thick As A Brick presents a selection of more than 100 catalogues, books, art editions and zines published by Mousse and shown within three brick structures conceived by Kuehn Malvezzi and produced by the Danish company Petersen Tegl. On view until April 14, Giò Marconi, Milan.

At the end of the last century, it was thought the new millennium would be represented in design and architecture by incorporeal values such as lightness, transparency, and evanescence, inspired by the fluidity of communication as well as the intangible nature of finance. The world seemed intent on becoming liquid. Instead, in the last few years everything has changed.
The economic crisis has profoundly modified our society and hence transformed the approach to architecture and culture at large: the world is seeking a new firmness, a solidity that both architecture and design (as well as art, fashion, and cuisine – some of the most interesting expressions of human culture) are making the center of their practice. Human beings are looking for reliable new touchstones, getting back to basics, to find that stability in which it seems necessary to root (or maybe better to re-root) our society. Traditions and history serve as a point of departure to grow and develop, better than before, and concreteness is the new manifesto for contemporary cultures in Western and even in the Eastern world.
Thick As A Brick goes back to simple, manual practices and ancestral materials – such as the brick used here as a narrative device – and to ancient, basic ideas in order to rediscover their potential: projected into the future, such renewed values serve as a groundwork to literally build a new encyclopedia of balance, strength, and positivity. In this project, these basic materials are replaced by books, iconic tools for spreading knowledge down through the centuries…

Posted in Art, Books, Exhibitions

Project Projects: Test Fit

April 12th, 2013

Commissioned as part of a series in which architects and designers are invited to explore their own interests as a way to instigate new thinking and practices within and beyond their professional disciplines, the exhibition Test Fit provided the graphic design firm
Project Projects the opportunity to use the permanent collection of the Art Institute of chicago as a means of investigating the curatorial process and issues related to exhibition design.

The studio was initially inspired by the mock-ups that curators often produce when preparing the layout of an exhibition. Driven also by the unusual characteristics of the Kurokawa Gallery, which is a well-trafficked, transitional space between the Modern Wing and other parts of the museum, Project Projects decided to develop a model of an exhibition that could serve as a framework for addressing issues of representation and reproductions in a playful, yet critical way.

The studio’s selection of works is based on the personal concerns of its partners, as expressed in the accompanying texts they have written. Although they began with an interest in European modernism, as imported to Chicago in the mid-twentieth century by such practitioners as László Moholy-Nagy and Ludwig Mies van der Rohe, the present collection of works speaks more broadly to Project Projects’ own interest in the history of design practice. Using a consistent format of printed facsimiles at a one-to-one scale, the studio encourages viewers to consider this exhibition as a mode of creative and cultural expression in and of itself.
The exhibition is on view until April 28, Art Institute of Chicago, and Project Projects (Prem Krishnamurthy, Adam Michaels, & Rob Giampietro) will give a lecture April 16, 6.30pm.

The Images of Architects

April 9th, 2013

Valerio Olgiati asked architects to send him important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture.
In The Images of Architects, available in may, you can find find 44 individual “musées imaginaires”. The most unique architects living today each present up to 10 images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious.
This book has the format of a reader. As little as possible is said. The images are small, legible and interpretable as icons. As individual collections, they present a personal view of an individual world, while as a whole they provide a universal view of the perceptible origin of contemporary architecture.

Posted in Architecture, Art, Books

Karl Nawrot: Mind Walk #I

April 4th, 2013

An array of drawings and prints reveal graphic designer and illustrator Karl Nawrot’s aesthetic sensibility as a curious union of the macabre and the childlike. These monochrome pictures are various: elementary graphics made with crude stencils and other drawing devices and the occasional distorted figure.
The exhibition Karl Nawrot: Mind Walk #I – April 19 – May 18, 2013, Eastside Projects, Birmingham – suggests narrative paths through this material, presenting Nawrot’s work as an expanded comic.

Veronika Spierenburg – THIS BOOK (1) & (2), In Order of Pages, Between Handle and Blade

April 3rd, 2013

THIS BOOK is an investigation series of Zurich based performance artist Veronika Spierenburg asking different people about their book projects by contacting them on Skype. The aim of the talks is to reflect current book production in the art field and to get a deeper understanding of motivations behind productions.
THIS BOOK (1), April 4, 7pm, Corner College, Zurich will have as guests Loraine Furter, Thijs Wassink, Matthew Vollgraff, Haemmerli, Ari Marcopoulos, Michael Günzburger. For THIS BOOK (2), May 3, 7pm, at Corner College, guests will be Banu Cennetoglu, Rafael Rozendaal, Manuel Raeder, Fabrice Stroun, San Seriffe.

Veronika Spierenburg has also regularly been visiting the Art Library in the Sitterwerk, in St.Gallen, for the day since 2010. She often works in a site-specific manner, as she also did in the Sitterwerk, where she became the “collector of the collection”. Individual pages of books from the Art Library, of which she has recorded a total of some 30,000, are her personal inventory. Then she reduced in collaboration with the Graphic Designer Simone Koller this selection further to a specific compilation, which is now—simultaneous to the exhibition—being published as an artist’s book: In Order of Pages, Kodoji Press, Baden.

The exhibition Between Handle and Blade – May 05 – June 23, 2013, Sitterwerk, St.Gallen – consists of individual interventions that examine the book as subject matter or refer to it in a broader sense. The focal point of the exhibition will be a three-meter-tall reading wheel made of metal. This object thus makes reference to the engineer Agostino Ramelli (1531–1600). Ramelli drew the plan for a mechanical reading aid around 1588, which was published along with 194 construction drawings in the book Le diverse et artificiose machine and is today considered to be a classic on the engineering of the sixteenth century. In the exhibition, the parallel reading and looking at individual book pages by means of the reading wheel becomes a direct reference to the publication by Veronika Spierenburg…

coeur, point et ligne sur plan

April 2nd, 2013

© Solveig Robbe

Le travail de Céline Duval, qui signe sous le nom d’artiste documentation céline duval, se nourrit souvent de photographies d’amateurs. Son regard collecte, rejette ou garde, classe et hiérarchise, met en relation puis élabore un scénario en images. Le livre figure parmi ses formes d’expression privilégiées.

En 2011, invitée par Didier Schulmann, conservateur à la Bibliothèque Kandinsky – Musée national d’art moderne Centre Pompidou, elle découvre les photographies familiales de Vassily Kandinsky, léguées en 1981 par la veuve du peintre, Nina.
Kandinsky a joué un rôle important dans la formation du regard de Céline Duval : très vite, cette dernière imagine à partir de ces archives photographiques une version toute personnelle de Point et ligne sur plan, l’ouvrage théorique du peintre qu’elle préfère.
En janvier 2013, la publication “cœur, point et ligne sur plan” voit le jour. Entre l’univers pictural de Kandinsky et les photographies intimistes qu’elle a sélectionnées pour faire ce livre, Céline Duval organise un flux d’analogies formelles, du tableau à la photographie, de la vie sociale à la vision intérieure…
Lancement du livre le 6 avril 2013, dès 17h, Florence Loewy Books by artists, Paris.

Posted in Art, Books