Art-Information: Editorial Strategies, Text-based Formats, Publishing Contexts

April 4th, 2014


Inside box for Aspen, #4, Marshall McLuhan & Quentin Fiore. Spring 1967, Roaring Fork Press, NYC

The one-day event Art-Information: Editorial Strategies, Text-based Formats, Publishing Contexts, April 26, at ICA in London, looks at acts of publishing within contemporary art and curatorial practice. Guest contributors Stuart Bailey, Dr Ruth Blacksell, Dr Jo Melvin, Dr Lucy Mulroney, and Alun Rowlands will draw on a rich variety of engagements, setting current practices against the alternative lineages of Pop and Conceptual Art. Presentations range from considerations of the various format and distribution strategies used by magazine editors and curators, to discussions of publishing, editorship and layout in (and as) practice.
Through these, contributors will highlight specific issues such as the appropriation of trade publishing channels and editorial design vocabulary; the significance of typographic layout in progressions from passive ‘looking’ into active ‘reading’; requirements for reader participation and responsibility; and the shifting notion of archival and open work within the interactive and networked platforms of digital publishing.

Posted in Art, Books, Graphic Design

DAVID MALJKOVIC: NEW REPRODUCTIONS

April 3rd, 2014

For the exhibition New Reproductions, David Maljkovic has created an extensive display of his work which provides a new reading of his artistic practice and the exhibition format itself.
The show presented six new reproductions of previous projects by the artist, and deals with conceptual strategies and utopian references past and present. It included animation, slide projection and collage, as well as sculptures as reconfigured objects.

The artist book New Reproductions, published in conjunction with the exhibition, designed by Åbäke, is a dense object in which the textual contributions function as poetic and fictional response to the artist’s collaged 48 images. Here, Maljkovic provides a certain utilitarian take on re-reading, remembering, incompleteness, and exhaustion as artistic positions in order to assemble filiations between works separated by time span and by his changing ideas.

Posted in Art, Books

Informational Affairs

April 3rd, 2014

Informational Affairs is an ever growing index of books collected by Folder Studio.

Posted in Books

Le Syndrome de Stendhal

April 1st, 2014

Né d’une série d’invitations par ricochet, Side Effects est un échange artistique international mené par Laura Kuusk, artiste estonienne, et Pascale Riou, théoricienne de l’art française. Cette collaboration est née d’un questionnement commun sur l’activité artistique, le travail à-côté, la pluriactivité, le faire-avec, le choix, l’accident. Pour cette exposition, Museum of Museum réalise l’ouvrage de médiation intitulé Le Syndrome de Stendhal.

En 1826, sortant de la basilique Santa Croce de Florence en Italie, Stendhal manqua de s’évanouir, ébranlé physiquement et psychologiquement par la puissance de cette oeuvre humaine. Il venait de ressentir puis d’exprimer ce que l’on nommera par la suite le syndrome de Stendhal, syndrome dû au dépaysement, dû aussi et surtout à l’intense émotion provoquée par la confrontation aux oeuvres d’art.
Les récits d’expériences de rencontre avec l’art sont multiples, ils expriment les représentations que l’on se fait de l’art, des artistes, de la création, les mythes qui y sont rattachés, et participent à l’écriture de l’Histoire de l’Art.
Museum of Museum (MoM) met en exergue cette histoire par la restitution de quelques-unes de ces expériences narrées, et suivant le modèle des maîtres de la biographie d’artiste – illustres prédécesseurs tels que Pline l’Ancien, Giorgio Vasari ou Carlo Ginzburg – par l’écriture des biographies des artistes participants à l’exposition Side Effects.
Prenant le parti d’aborder l’oeuvre par l’étude de la vie de l’artiste, MoM fonde ses récits sur des témoignages oraux et de la documentation diverse : catalogues d’exposition, interviews issues de magazines spécialisés, sites issue des internets.
En s’appuyant sur l’oeuvre littéraire préexistante des grands auteurs, MoM propose des biographies possibles, une lecture parmi d’autres du travail des artistes. Cette lecture se base sur leur vie et les expériences artistiques, mettant l’accent sur les anecdotes, sur ce qui entoure la création et y participe finalement.

Posted in Art, Books

The Fernand Baudin Prize BOOK CLUB

March 31st, 2014

The Fernand Baudin Prize is awarded every year for the most attractive editions and beautifully crafted books in Brussels and Wallonia. This is the fifth time the prize has been awarded and now a new, additional concept is being introduced: a book club.

Once a month, at various cultural locations, the Fernand Baudin Prize provides an opportunity to share and exchange ideas and opinions about books. The idea is simple: bring along a book and introduce it to the others. Give a short presentation, exchange opinions about the design, read an excerpt aloud, add a personal anecdote or an in-depth analysis: all stories and contributions are welcome. The book club embraces everyone: every reader or booklover, professional as well as amateur writers and all manner of book producers. Upcoming rendezvous, April 23, 2014, 6.30pm, Beursschouwburg, Brussel.

Posted in Books, Graphic Design

Haris Epaminonda – Chapters I-XXX

March 25th, 2014

Chapters I-XXX is a book published in conjunction with the exhibitions of the artist Haris Epaminonda (Chapter IV at Fondazione Querini Stampalia, Venice & Vol. XIV at Galleria Massimo Minini, Brescia).

In tracing some of the notions and narratives embedded in Chapters, a 16 mm film shot in Cyprus in 2012, the idea of making a book came about as an exercise, or rather an experiment, to deconstruct the film into some of its subject matters. Embarking on a new set of associations between image and subject, source and information, meaning and abstraction, this book is both a document and a memory map, tracing the beginnings of a thought, a time, an image, a place.

The book aims at being a sort of encyclopedia, regardless of the impossibility of such a task. The reference material of the artist’s latest film Chapters is collected in these 30 posters. Printed in two copies each, they constitute a limited run edition of 60 signed posters.

Posted in Art, Books

131 Variations – Fleur van Dodewaard

March 20th, 2014

131 Variations, a project by Fleur van Dodewaard, is a reinterpretation of Sol Lewitt’s 122 Variations of Incomplete Open Cubes. Assisted by two mathematicians Lewitt succeeded in visualizing 122 variations on an open cube that was defined only by its edges. What distinguished these from ordinary 12-edged cubes was that only between 3 and 11 edges were visible, meaning that to obtain an image of the full cube the beholder had to complete the three-dimensional form in the mind. In his quest, Lewitt discovered 122 ways of leaving the cube unfinished.
Fleur van Dodewaard set about recreating and photographing the piece seeking to produce an exact copy. But in the process things went wrong: some cubes went missing, others appeared double and previously unknown variants arose. With her 131 Variations Fleur van Dodewaard demonstrates that the 122 variations listed and presented by Lewitt did not represent an exhaustive spectrum of all conceivable possibilities. Accordingly, the “failure” consciously introduces moments of arbitrariness, inconsistency and irrationality into this aleatory process to allow for an element of coincidence, thereby challenging mathematical logic.
131 Variations seeks to debate the issues of authenticity, appropriation and reproduction, while challenging the role of photography as a medium to represent reality. Exhibition until April 5, Hauser gallery, Zürich; Book launch, March 30, 4pm, Foam, Amsterdam.

Posted in Art, Books, Exhibitions

Voir le voir – John Berger

March 17th, 2014

En 1971 John Berger imagine avec le producteur Michael Dibb la série Ways of seeing pour la chaîne de télévision de la BBC. Cette série rencontre à l’époque un grand succès. L’année suivante un livre du même nom, fruit d’une collaboration entre Berger, Dibb, Chris Fox, l’artiste Sven Blomberg et le graphiste Richard Hollis est publié. C’est bien la vision typographique d’une justesse irréfutable créée par ce dernier qui fera entrer l’ouvrage dans la bibliothèque des designers.
En sept essais, Berger rappelle les modalités de commande des peintures de la renaissance et démontre ainsi le pouvoir de la classe dominante. Il analyse la filiation entre ces modalités et le développement et l’omniprésence des codes de la publicité dans notre société capitaliste contemporaine. Il encourage ainsi le spectateur-lecteur à questionner les images qui l’entourent au quotidien.
En nous montrant comment voir différemment des tableaux que tant de musées présentent comme des reliques sacrées, John Berger nous invite à une réappropriation critique de notre héritage culturel. Il s’appuie sur près de 160 reproductions de tableaux et d’images publicitaires, et analyse le traitement du corps féminin dans l’histoire de l’art parallèlement à nos relations aux objets, au pouvoir et à la propriété.

Si la société s’est beaucoup modifiée depuis 1972 et l’écriture de ce texte, reflétant aujourd’hui plus largement les valeurs du modèle capitaliste qu’à l’époque, l’enjeu fondamentalement politique de Voir le voir reste cependant le même.
La version française, Voir le voir, que B42 republie est un facsimile de l’édition originale anglaise parue en 1972. La traduction est une reprise de la version établie par Monique Triomphe pour les éditions Alain Moreau en 1976.

Le festival Cinéma du réel, au Centre Pompidou, Paris, propose le samedi 29 mars Ways of Telling, un évènement autour du travail de John Berger.

Posted in Art, Books

Everything is About to Happen

March 12th, 2014


©Åbäke

Everything is About to Happen – An ongoing archive of artists’ books selected by Gregorio Magnani, March 14 to April 26, 2014, Corvi-Mora, London – presents circa 300 books in an attempt to offer an overview, and initiate an archive, of recent artists’ books. It focuses on publication as a medium and context for art practices. It looks at the ways in which artists use the format of the book as an artistic strategy exploiting, and often expanding upon, its nature as a fixed but randomly accessible sequence of words and images.
All the books selected are either self-published or participate in a minor economy of small publishers. Their modes of production and circulation, as well as the conditions under which they are experienced and stored, strengthen their content.
The exhibition attempts to address this through different modes of presentation: a vast communal display table, a more concentrated reading station, and an exact catalogue. A certain surplus of vitality, a metaphoric, affective and social overflow of the codex structure is underlined.
With books by AND Publishing & Åbäke, Kasper Andreasen, blisterZine, Daniel Gustav Cramer, Mariana Castillo Deball, Paul Elliman, Arnaud Desjardin, Michael Dean, Karl Homqvist, La Biblioteque Fantastique, Louis Lüthi, Jurgen Maelfeyt, Dan Mitchell, Sara MacKillop, Sophie Nys, Simon Popper, Preston is my Paris, Alessandro Roma, John Russell, Izet Sheshivari, Erik Steinbrecher, Triin Tamm, Erik van der Weijde, Jean-Michel Wicker.

ISIA Urbino / Werkplaats Typografie Summer School 2014

March 11th, 2014

Since five years, two schools with a course in Graphic Design, Werkplaats Typografie (ArtEZ), Arnhem, The Netherlands and ISIA Urbino, Italy, joined together to set up an international Summer School. The sixth edition will take place from July 20th till August 1st in the renaissance town of Urbino.
The supervisors during the two week workshop will be Karel Martens, Armand Mevis, Maureen Mooren and Leonardo Sonnoli and the call for application is dedicated to (young) professionals and students in the field of (graphic) design, and surrounded practices (like writing, photography, illustration, publishing), or art, architecture and theory related practices.
It doesn’t matter how old you are, where you’re from, what your background is, what your interests are, how much experience or education you had. This Summer School offers an opportunity for anyone who is talented, inspiring and a non-conventional thinker and maker. Candidates, with an authentic, open and critical mind, who are interested to learn, to explore and re-think their own work in a unique context and who don’t mind working over summer are welcome to apply.

Teaching and Learning as Performing Arts

March 10th, 2014

First published in 1970 and long out of print, visionary artist Robert Filliou’s essential primer Teaching and Learning as Performing Arts has now been reprinted in its entirety by Occasional Papers. Along with extensive writing by Filliou, the book includes interviews with numerous artists close to him, such as Joseph Beuys, George Brecht, John Cage, Dorothy Iannone, Allan Kaprow and Diter Rot.
This edition is an exact facsimile of the original, in order to preserve its highly inventive bilingual (English/German) layout and idiosyncratic composition.
March 13, from 7pm, at Whitechapel Gallery, London, the launch will be the occasion to a conversation with Clive Robertson, who worked extensively with Filliou, recordings of Filliou’s performance-lecture, The Gong Show, and a presentation by artist Richard Demarco, followed by an in conversation with co-founder of Occasional Papers Antony Hudek.

Posted in Art, Books

The Book of Go

March 10th, 2014

The Jan van Eyck go club, a project by artist Christophe Lemaitre, was an aesthetics club that materialised in the form of a Go club. It was conceived as an artwork for the public sphere and took place from January to December 2012 in a space at the Jan van Eyck Academie. The Book of Go is a diptych which extends and explores the issues addressed by the Jan van Eyck go club. The first of the two project’s parts, subtitled The Cognition of Forms, is a split screen-print (Text and pictures) which can be folded like a book, a painted book. Initially an attempt to define what is a shape at the game of Go, what is the concept of a territory, the text considers Go as a morphogenetic process and attempts to re-think Go as a perceptive experience rather than a game. Stated as a work of art on its own right, this first Book serves as a preface to the second, yet to come.

Posted in Art, Books

Op & Post-Op Editions

March 4th, 2014


Ghost/Ghost by Tauba Auerbach

L’appellation “Op art”, qui trouve son origine dans l’abréviation de l’expression “optimal art”, s’impose en Europe dans les années 60. Ce mouvement artistique renoue avec l’abstraction géométrique en cherchant à créer des jeux optiques et des effets d’illusions pouvant s’inscrire à la surface de la rétine.
L’exposition Op & Post-op Editions – du 8 mars au 12 avril, 2014, Florence Loewy by artists…, Paris – associe des éditions et des livres d’artistes de Tauba Auerbach, Sigrid Calon, Philippe Decrauzat, François Morellet, Dan Walsh.

Posted in Art, Books, Exhibitions

Mark Pezinger works both ways – From Performance to Publication

March 4th, 2014

Mark Pezinger Verlag is an artist-run publishing house, founded in 2009 and based in Vienna and berlin. the collective (Astrid Seme, Karsten Födinger, Natalie Obert and Thomas Geiger) works beyond conventional structures to explore further possibilities for the artist book. the publications that have been realized are ranging from books to sound works and from one-offs to higher editions.
The exhibition Mark Pezinger works both ways – From Performance to Publication focuses on the performative dimensions of Mark Pezinger Verlag and offers the oppurtunity to experience the publishing house as an economical, social and dynamical sculpture. March 14 to May 4, 2014, FRAC Provence-Alpes-Côte d’Azur, Marseille.

Posted in Art, Books, Exhibitions

Jaap Scheeren Cut Shaving – The Xerox Edition

February 24th, 2014



‘Fresh anarchy’ is a way to describe the work of Dutch photographer Jaap Scheeren. With his own, slightly absurdistic, style he investigates the coherence between reality and photography. By doing so Scheeren developed a visual world in which he follows its own intuition, logic and rules. Always with a humorous twist. Jaap Scheeren Cut Shaving, The Xerox Edition combines for the first time all of Schereen’s work. The publication explores ways of reproducing photography, photo books and visual archives, resulting in a a fresh and anarchistic publication that is not just documenting Scheeren’s oeuvre, but also becomes part of it.

Posted in Art, Books, Photography

Harun Farocki Diagrams

February 20th, 2014

Harun Farocki Diagrams. Images from Ten Films, edited by Benedikt Reichenbach, attempts to map a visual approach to one of the world’s foremost documentary and essay filmmakers, Harun Farocki. Unlike the many other, more theoretical publications about his work, this book operates with still images beyond an illustrative or documentary purpose. By means of repetition, interruption and displacement, the configurations pursue specific movements within each film, taking into account mechanisms of order and open-endedness that are characteristic for Farocki’s work in general. “Diagrams” traces the dynamics of ten of Farocki’s films and presents them along with each film’s complete commentaries, dialogues and intertitles, celebrating their major critical gesture: the exposition of mediality.
Talk & screening, with Harun Farocki and Anselm Franke, March 6, 2014, 7pm, Arsenal – Institute for Film and Video Art, Berlin.

Posted in Art, Books

Upcoming Art Book Fairs – March 2014

February 14th, 2014

Fahrenheit 39, March 7-9, Ravenna
It’s a book, March 15, Leipzig
Pa/per view, March 21-23, Brussels
Artists Print III, March 21-23, Brussels

Posted in Art, Books

ORAIBI à Rosabrux

February 10th, 2014

Oraibi – librairie itinérante et structure curatoriale basée à genève – invite l’artiste et designer Clémence Seilles, accompagnée de The Estate of Matt Montini, à produire un dispositif de présentation d’une sélection de livres, du 14 au 16 février 2014, à Rosa Brux, Bruxelles. Choisis parmi son catalogue, les ouvrages s’articulent autour des sources littéraires et artistiques d’un psychédélisme revisité, paneuropéen et francophone : livres anciens, raretés, poésie surréaliste, manifestes, revues psychédéliques, catalogues d’exposition, littérature, publications récentes et inédites.

Posted in Art, Books, Exhibitions

Livre Imaginé – Dans Cinquante Ans d’Ici

February 10th, 2014

Livre Imaginé – Dans Cinquante Ans d’Ici is a group exhibition – curated by Niekolaas Johannes Lekkerkerk – on the future of the book and other variable formats with AND Publishing & Åbäke, Xavier Antin, Ruth Beale, Nina Beier & Marie Lund, Elena Damiani, Aurélien Froment, Ryan Gander, David Jablonowski, Laurie Kang, Boris Meister, Klaus Scherübel, Sebastion Schmieg & Silvio Lorusso. March 12 to April 19, Les Territoires, Montréal.

The exhibition posits the book – as both thing, container and idea – against the backdrop of some recent and ongoing discussions that address the probable demise of the bound volume in conjunction with the emergence of digital reading devices. As the title of this exhibition already implies, a somewhat speculative approach towards the subject is taken insofar any productive attempt at summation of the debate has resulted in stances taken on either side, but quite obviously avoided closure as the situation undoubtedly remains open–ended.

Posted in Art, Books, Exhibitions

“Information Room” – L’édition comme reflet d’une expérience

February 5th, 2014


© Stalles

Dans le cadre de la table ronde L’édition comme reflet d’une expérience, le 14 février, 18h30, à Mains D’Œuvres, Saint-Ouen, “Information Room” est une exposition de publications qui questionnent l’enregistrement, le commentaire et le prolongement de projets artistiques. Du catalogue au livre d’artiste, en passant par l’ouvrage théorique ou le carnet de recherches, ces entreprises éditoriales, aux intentions, formes et formats variés – parfois composites ou ambiguës – incarnent des expériences de mise en tension d’une idée et de sa trace, du geste et de sa captation, d’un objet et de sa représentation, de l’espace d’exposition et de l’espace du livre, de l’oral et de l’écrit.

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