New issues: The Exhibitionist #9- E.R.O.S. issue 4 – Apartamento issue #13 – The Travel Almanac no. 7 – TOO MUCH Issue 5 – May n° 12
The Exhibitionist is as a journal by curators, for curators, in which the most pertinent questions on exhibition making today would be considered and assessed. Modeled after the iconic French film journal Cahiers du cinéma, the journal is meant to serve a critical role in understanding current curatorial practices through a number of editorial formats focused specifically on the critical and historical importance of exhibitions.
The Exhibitionist #9, featuring Christopher Lee on the cover, introduces, among others, a new long-form section titled “Rigorous Research”; for this first installment, Italian curator and writer Germano Celant addresses the evolution of exhibition spaces in the 19th and 20th centuries, and certain seminal exhibitions that established new standards by reacting to the existing models of design and display.
E.R.O.S. is dedicated to the subject of desire. It covers a wide range of fields, drawing together often disparate disciplines under the auspices of each issue’s theme. Alongside newly commissioned work, E.R.O.S. contains excerpts, reproductions and reappraisals.
E.R.O.S. issue 4 contributors are John Baldessari, Sami Jalili, Federico Campagna, Emma Jones, Mark Fisher, Sharon Kivland, Ed Atkins, Patrick Staff, Andrew Calimach, Saul Newman, Simon Critchley, AA Bronson, Jamie Sutcliffe, Dan Walwin, Luke Burton, Franco ‘Bifo’ Berardi, Richard Wentworth.
Apartamento is an everyday life interiors magazine. A place in print about people, not just objects. Apartamento features the homes and lives of creative people, both established and emerging, from all over the world. It understands interior design as a means of personal expression, showing how people arrange their homes and the solutions they find to the same problems that everyone has. Apartamento puts forward a fresh and simply crafted aesthetic. It cares about the way people live and their relationships to the places they live.
Apartamento issue #13 features Wes Anderson, Anissa Helou, Joel Chen, Rafael Horzon, Jack Pierson, Faye Toogood, Marie Honda, Richard McConkey, Jean-Charles de Castelbajac, Adel Husni Bey & Mirella Clemencigh, Arturo Rhodes, Fabiola Alondra, Bernhard Willhelm, Andy Rementer & Margherita Urbani, Oscar Tusquets Blanca, Peter Shire. With The Girards, a special supplement about the legacy of Alexander Girard & Humor Furniture Graphic a portfolio by Luciano Consigli.
The Travel Almanac is a Berlin- and New York- based print publication focusing on traveling & temporary habitation, addressing an increasingly mobilized creative community, it is the first publication of its kind to speak to this sophisticated generation of travelers.
Contributors for The Travel Almanac Issue no. 7 are Gia Coppola, Ryan McGinley, Christophe Lemaire, David Chipperfield, Cordula Reyer, Phil Collins.
TOO MUCH gathers thoughts about cities, the people who live in them, and the changes affecting our society and our environment. It’s a magazine about romantic geography.
TOO MUCH Issue 5 is about looking at the body in space, and ways in which we have biologically and socially entered into the built environment, and how we are then changed into the process. With contributions by Francis Upritchard, Hidemasa Yatabe, Manabe Daito, Cara Phillips, Naoki Ishikawa, Shinya Aota, Madeline Gins, Ari Marcopoulos, Fala, Yayako Uchida, Takashi Homma, Fumihiko Maki, Arata Isozaki, Hiroshi Hara, Kengo Kuma and Nagao Nishikawa.
May is a bilingual (French/English) quarterly publication conceived as an experimental platform for new forms of criticism. May proposes to examine matters pertaining to the field of contemporary cultural production through the publication of essays, exhibition reviews and interviews with international contributors varying from scholars to critics, artists, writers and curators.
May n° 12 is the third and final section devoted to the 1990s in France, with contributions by Georges Rey, Florence Bonnefous, Éric Troncy, Yves Aupetitallot, Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth, Olivier Zahm, Nicolas Bourriaud, Renaud Jerez, Roy Genty, Annie Godfrey Larmon, Nick Mauss, Neil Beloufa, Jacob King, Vincent Normand, Damon Sfetsios, Elise Duryee-Browner, Jana Euler.
Project investigates the possibilities for developing a critical position in contemporary architecture. Publishing both visual and written work, the goal of Project is to provide a platform for disseminating ideas. Each issue includes an insert devoted to visual presentations of contemporary projects. The journal also features writing in several formats: polemical essays by architects and critics; extended conversations with significant figures in the field; long-form critical writing; and short readings of provocative images and projects. Project focuses on publishing young architects who take strong positions and engage in debate and critical evaluation of the field.
Issue Three includes contributions from common room & Kim Förster, Reinier de Graaf (OMA/AMO), Neil Denari, Edward Eigen, Formless Finder, Adam Fure, John May, Magnus Nilsson, Valerio Olgiati Architect, Pezo von Ellrichshausen, Lola Sheppard (Lateral Office), Jill Stoner, Tom Wiscombe and more… Launch April 9, from 7pm, at common room, New York.
Our material world is made up of a succession of layers; generation by generation, work by work, each new layer is informed by and created in dialogue with the existing material strata. The food we eat, the spaces we occupy, the written and visual media we engage with, the songs we listen to, the art we spend time with, the films we watch, and the objects we live with were all informed by past material culture and, in turn, will influence future creative decisions. The objects presented in Source Material exemplify the material foundation from which creative work is made today.
Source Material – April 8 to 12, Kaleidoscope Project Space, Milano – presents the objects, keepsakes, and references that have had a pivotal effect on the work of fifty-four creative minds from the fields of architecture, art, cuisine, design, fashion, film, and music, such as Erwan & Ronan Bouroullec, Thomas Demand, Konstantin Grcic, Jürg Lehni, Mike Meiré, Mike Mills, Harsh Patel, Benjamin Sommerhalder, Wendy Yao, etc… Found within the contributors’ everyday working or living environments, these objects are stepping-stones for the creative process.
Images: Massimo Torrigiani, Leggio; Marco Velardi, Disegnare Colorare Costruire, book series curated by Bruno Munari; Jürg Lehni, A Guide to Architecture in Southern California by David Gebhard, Robert Winter; Andrew Stafford, Scale furniture.
Since 1967, designers and architects Trix and Robert Haussmann have built an idiosyncratic oeuvre that has continuously challenged architectural, design and aesthetic conventions. In the 1960?s they began to elaborate a complex language that can be viewed as an early post-modern or Radical Design position. Throughout their fifty year long career they have explored many creative perspectives, such as poetry composed by chance, drawings, collages and texts.
Disrupting or “destroying” spaces and forms could be one of the Haussman?s mottos. For instance, their drawer, shaped in the form of a Greek column, is literally “destroyed” by its function (the opened drawers). This work in particular is a direct, deadpan nod to Sullivan?s famous statement “form follows function”. It?s not surprising that the Haussman?s 1981 manifesto was published under the title of “Manierismo Critico”. In contrast to other designers and architects, Trix and Robert Haussmann are acutely conscious that an object can be more a vector of meaning than a functional or aesthetic item. This relationship to the object opened them up to a broader vision of what it means to be an architect today.
The exhibition, from April 26 to June 15, 2014, at Fri Art, Fribourg, entirely conceived in close collaboration with the architects over a long period of time, examines every aspect of their research. Nevertheless, far from being a classical retrospective, it will weave together different bodies of works.
Since five years, two schools with a course in Graphic Design, Werkplaats Typografie (ArtEZ), Arnhem, The Netherlands and ISIA Urbino, Italy, joined together to set up an international Summer School. The sixth edition will take place from July 20th till August 1st in the renaissance town of Urbino.
The supervisors during the two week workshop will be Karel Martens, Armand Mevis, Maureen Mooren and Leonardo Sonnoli and the call for application is dedicated to (young) professionals and students in the field of (graphic) design, and surrounded practices (like writing, photography, illustration, publishing), or art, architecture and theory related practices.
It doesn’t matter how old you are, where you’re from, what your background is, what your interests are, how much experience or education you had. This Summer School offers an opportunity for anyone who is talented, inspiring and a non-conventional thinker and maker. Candidates, with an authentic, open and critical mind, who are interested to learn, to explore and re-think their own work in a unique context and who don’t mind working over summer are welcome to apply.
The Fox issue 4 is loosely a continuation of the 1970′s journal The Fox produced by the artist’s collective Art & Language, however this regenerated version deviates from the concerns of the past publication, instead holding a closer link to the ‘natural world’, particularly the urban fox as a medium through which to explore attitudes towards the city, culture, nature, labour, architecture and design.
Designed by Mathew Whittington and with contributions by Daniel Arsham, Federico Campagna, Mike Davis, Mabli Elliman, Paul Elliman, Kristen Gallerneaux Brooks, Valentijn Goethals, Bill Hutchison, Esther Leslie & Ben Watson, Tetsuo Mukai, Leonard van Munster, Melissa Pilon, and Hermione Spriggs, as well as a selection of re-published material from the 19th and 20th century. Launch December 14, 3-5pm, Wysing Art Centre, Cambridge, as part of X Marks the Bökship’s X-Operative.
Offprint Paris is an art publishing fair for emerging practices in art. Over four days, it gathers institutional and independent publishers from all over the world featuring publications by contemporary artists, graphic designers, photographers, publishers, bookdealers, museums, art schools, curators and antiquarians.
The Most Beautiful Swiss Books competition was established to promote and reward top-quality book design in Switzerland. The awarded books become part of an exhibition which will stop off in London during Thoughts on a Book. The event this year, November 22, 2013, 7pm, Open School East, London, will take a closer look into one of the awarded books: Trix + Robert Haussmann, edited by Fredi Fischli and Niels Olsen (Studiolo). Both the architects, Trix & Robert Haussmann, and the editors will give a talk about their collaboration, showcasing their process of working together.
LA DÉRIVE – Chapter I, November 17, 2013 – during Offprint, an Art Publishing fair – November 14-17, Beaux-Arts de Paris – invites the visitors to take various paths within the large and rich landscape of independent publishing in art and design. As advocated by La Dérive (in English Drift) of Guy Debord, the program is built around several specific ambiances, highlighted: the main idea being to let go of expectations and habits and to just wander among pleasant encounters… With contributions by Ramaya Tegegne, Erik van der Weijde, Jan Wenzel, Postdocument, De Stihl, and Etienne Robial.
Ceci tuera cela? L’édition d’architecture comme contre-archive: située à la confluence de la transmission (dans le temps) et de la communication (dans l’espace), l’architecture résiste à son archivage érudit. Victor Hugo prophétisait que l’imprimé républicain tuerait le monument ecclésial ; mais qu’en est-il de l’édition d’architecture à l’âge des traitements de données et des villes connectées ?
À partir de leurs expériences de chercheurs, le 7 novembre, à 19h, au Centre Pompidou, Paris, les Éditions B2 et trois de ses auteurs évoqueront la documentation qui, par le texte et l’image, balise la temporalité de la recherche, de la rédaction et de l’édition — mais aussi celle de la diffusion et de la transformation…
Released in conjunction with Issue 18 of Fillip magazine, the booklet Slide Shows documents the specially commissioned Web video project on the landscape of international art publishing and design, curated by Charlotte Cheetham and produced by Fillip. Originally taking the form of a series of video presentations by publishers, designers, and artists, Slide Shows offers one possible cross section of a newly emergent field of book production. This publication documents the project, serving as a pocket reference to each of the profiles included in the series. After the pocket guide, the project will culminate in a printed volume that will document each slideshow, available in 2014.
Slide Shows booklet includes contributions by 4478zine, And publishing, Xavier Antin, Booklet, Cambridge Books, Cannon Magazine, Charlotte Cheetham, An Endless Supply, David Horvitz, Int. Typo. Union, James Langdon, mono.kultur, Samuel Nyholm, Occasional Papers, Oslo Editions, Precinct, Michalis Pichler, Elias Redstone, David Senior, split/fountain, Eva Weinmayr, Wendy Yao; and two new slideshows by Erik Kessels and Grotto are now available on the Slide Shows tumblr.
Public School started in September 2007 as a non-profit project aiming to make public recordings of live events in the Israeli scene, and became a blog, Pax Israeliana, that documented forgotten books about design, art and architecture.
The Pax Israeliana Index of Israeli Modernism is a reference index of modernist works and terms from the golden age of Israel, found online, quoted and scanned from a variety of books, catalogs and magazines. The collection aims to define a time period when the young state of Israel was shaping its identity, trying to free itself from the Levant, and artists, architects, musicians, filmmakers and designers helped establish Israel’s perception in the eyes of the western world as a peace-seeking modern country by studying and showcasing their work abroad and embracing European Modernism.
© Arnaud Desjardin, The Every Day Press
LE BAL Books week-end, September 6-8, 2013, Paris
The London Art Book Fair, September 13-15, 2013, London
MISS READ, September 19-22, 2013, Berlin
NY ART BOOK FAIR, September 20-22, 2013, New York
The Tokyo Art Book Fair, September 21-23, 2013, Tokyo
Unseen Book Market, September 26-29, 2013, Amsterdam
Vancouver Art/Book Fair, October 5-6, 2013, Vancouver
Salon Light #10, October 5-6, 2013, Paris
Third Issue, October 11-12, 2013, Frankfurt
OffPrint Paris, November 14-17, 2013, Paris
KIOOSK vol.2, November 16-17, 2013, Kraków
Sprint, November 29-December 1, 2013, Milano
Rookie Book Fair, December 7-8, 2013, Poznan
LA ART BOOK FAIR, January 31 – February 2, 2014, Los Angeles
Fahrenheit 39, March 7-9, 2014, Ravenna
PIN–UP Interviews is a compilation of over 50 of the interviews from PIN–UP magazine, the New York-based biannual architecture and design magazine, since its first issue was published in 2006.
Included in PIN–UP Interviews are the architects David Adjaye, Shigeru Ban, Ricardo Bofill, David Chipperfield, Zaha Hadid, Junya Ishigami, Rem Koolhaas, Peter Marino, Richard Meier, and Ettore Sottsass; artists Daniel Arsham, Cyprien Gaillard, Simon Fujiwara, Boris Rebetez, Oscar Tuazon, Andro Wekua, and Robert Wilson; and designers Rafael de Cárdenas, Martino Gamper, Rick Owens, Clémence Seilles, Hedi Slimane, and Bethan Laura Wood…
Books of Copies, a project by San Rocco, is an online database comprised of images that can be copied in order to produce architecture. As such, Books of Copies are receptacles of a collective form of knowledge that can provisionally be called “architecture”. Books of Copies are organized according to a precise set of rules and are produced by a multitude of producers. Books of Copies are based on an inherently derivative and collective effort, starting with the zero-degree act of accumulation of formal knowledge, namely “collecting”. Exhibition, September 10 – October 2, 2013, AA School of Architecture, London.
In 1962, Gene Bernofsky, Jo Ann Bernofsky and Clark Richert were students at the University of Kansas in Lawrence. Gene and Clark developed a concept they called “Drop Art”. “Dropping” artworks from the rooftop of a loft space in Lawrence, they were making art a spontaneous part of everyday life in the face of a society they saw as increasingly materialistic and war-mongering. In 1965, they bought a small piece of land near Trinidad, Colorado and ?called their settlement Drop City. They were soon joined by other artists, writers and inventors, and they started building a community that celebrated creative work.
Drop City’s dazzling structures were based on Buckminster Fuller’s geodesic domes and the crystalline designs of Steve Baer, a pioneer in geometric structure and solar energy. The Droppers had little building experience, but they were full of ingenuity and exuberance. Drop City became a lab for experimental building and and inspired a generation of alternative communities…
Drop City, a new documentary, screenings, as part of:
Architecture on Film, July 9, 2013, 7pm, The Architecture Foundation, London
West of Center: Art and the Counterculture Experiment in America, 1965 1977, July 10, 2013, 7pm, Mills College Art Museum, Oakland
L’architecte britannique, Peter Cook – en conférence publique le 27 mai, 2013, 18:00, EPFL, Lausanne – fonde en 1961 le mouvement Archigram, revue avant-gardiste d’architecture, avec Ron Herron, David Green, Warren Chalk, Dennis Crompton et Michael Webb. Ils inventent une architecture en prise directe sur la société de consommation et la communication à la manière du Pop art dont ils reprennent les couleurs acidulées, l’ironie désarmante, l’intérêt pour la culture populaire et banalisée.
Avant tout théoricien de l’architecture, Peter Cook développe ses projets comme une série de tentatives successives qui évitent de se scléroser dans une proposition définitive. Il veut revenir aux fondements de l’architecture moderne et remet la vie au cœur de la cité, développant ainsi l’idée d’une circulation dans laquelle vient se greffer des cellules. Celles-ci se pluguent les unes aux autres. La walking city par exemple est itinérante et suit les flux de l’événement et de la circulation de l’information.
Archigram fut une source d’inspiration pour le mouvement high-tech, notamment le centre Pompidou (1977) de Piano et Rogers, ainsi que le travail de Norman Foster, Gianfranco Franchini, ou aujourd’hui certaines réalisations de Future Systems.
The Playground Project, curated by Gabriela Burkhalter, is a richly illustrated exhibition exploring the history of postwar playground design and highlighting important examples of playgrounds from the 20th century. The survey focuses on the years between 1940 and 1980 as the most fruitful era in playground design and introduces outstanding achievements from Europe, the US, and Japan. More than 130 photographs, prints, plans, models, and books, along with eleven films and slideshows, will illustrate the exciting and inspiring history of playgrounds, from June 10, 2013, Carnegie Museum of Art, Pittsburgh.
Valerio Olgiati asked architects to send him important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture.
In The Images of Architects, available in may, you can find find 44 individual “musées imaginaires”. The most unique architects living today each present up to 10 images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious.
This book has the format of a reader. As little as possible is said. The images are small, legible and interpretable as icons. As individual collections, they present a personal view of an individual world, while as a whole they provide a universal view of the perceptible origin of contemporary architecture.
Mock-ups in Close-up, Architectural Models in Film 1919 – 2012, a constantly growing film project by architect Gabu Heindl and film-theorist Drehli Robnik, is a collection of excerpts from an increasing number of narrative films that feature architectural models. In chronological order (from 1927 to 2010), the two-hour long video includes classics as well as recent American comedies and more obscure material.
Some of the models figure quite prominently in the films, others appear more randomly. Without using narration, the compilation attempts to push the inclusion of all mock-ups to the extreme – until traction occurs, or until history (including that of architecture and its applications) again becomes relevant through the archives of randomness: history as an image of the Cold War or the fluidity of labor, as a power play of masculinity and the scale of the models themselves.
The compilation does not primarily deal with “films about architecture”. Rather, it offers a section through an all-inclusive film history which, in the project’s re-writing, appears to be obsessed with showing models in a variety of contexts: be it on the fringes or in the center of a scene, models pop up in love stories, thrillers, psychological dramas, comedies or sci-fi . The list of filmmakers who could not resist to either pan over or to focus on architectural models includes Fritz Lang, Francis Ford Coppola, Stanley Kubrick, Tim Burton, Steven Spielberg, Ben Stiller, the Farrelly Brothers, and Wes Anderson.