Primary Information is reprinting the seminal book, Fantastic Architecture, making the book widely available for the first time since it was originally published: first in 1969 by Droste Verlag in German (with the title Pop Architektur) and later in 1970 by Something Else Press as Fantastic Architecture.
Edited by Dick Higgins and Wolf Vostell, this artist’s book/anthology includes diverse contributions from a range of influential artists and architects of the 60s era addressing utopian architecture, public sculpture, and common space. Higgins and Vostell’s deft approach and design made Fantastic Architecture one of the iconic artist publications of its time. Using vellum pages for their editorial captions, Higgins and Vostell allowed the spreads by each artist to flow untouched, creating a visual page turner that eschews didactic explanation and reductionism in favor of a miasma of text, image, and material intervention that demands the reader experience the book as its being read.
Taken as a whole, the publication showcases broad concerns and approaches to architecture and public sculpture at a time when attitudes towards both were changing to reflect the political and economic concerns of the time.
Contributors include Ay-O, Joseph Beuys, Pol Bury, Eric Buchholz, John Cage, Philip Corner, Jan Dibbets, Robert Filliou, Buckminster Fuller, Raoul Hausmann, Richard Hamilton, Michael Heizer, Bici Hendricks, Geoffrey Hendricks, Jan Herman, Dick Higgins, K.H. Hoedicke, Hans Hollein, Douglas Huebler, Milan Knizak, Addi Koepcke, Alison Knowles, Franz Mon, Claes Oldenburg, Dennis Oppenheim, Dieter Roth, Gerhard Rühm, Carolee Schneemann, Kurt Schwitters, Daniel Spoerri, Frances Starr, Jean Tinguely, Lawrence Weiner, Ben Vautier, Wolf Vostell, and Stefan Wewerka.
From Life’s a Beach by Martin Parr, Aperture, 2012
The London Art Book Fair 2015, September 10-13, Whitechapel Gallery, London
WIELS Art Book Fair 2015, September 11-13, Wiels, Brussels
Artists Print IV, September 11-13, Brass, Brussels
VOLUME 2015, September 11-13, Artspace, Sydney
NY ART BOOK FAIR, September 18–20, MoMA PS1, New York
The Tokyo Art Book Fair, September 19-21, Kyoto University of Art and Design, Tokyo
2015 Vancouver ART/Book Fair, October 17-18, Vancouver Art Gallery, Vancouver
Offprint Paris, November 13-15, Paris
Friends with Books, December 11-13, Hamburger Bahnhof, Berlin
Endless House: Intersections of Art and Architecture, from June 27, 2015, to March 6, 2016, MoMA, New York, considers the single-family home and archetypes of dwelling as a theme for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways.
The exhibition also marks the 50th anniversary of the death of Viennese-born artist and architect Frederick Kiesler (1890–1965). Taking its name from an unrealized project by Kiesler, Endless House celebrates his legacy and the cross-pollination of art and architecture that made Kiesler’s 15-year project a reference point for generations to come.
“I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual “musées imaginaires”. The most unique architects living today each present up to ten images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious. The biographies are written by the architects themselves. The images are small, legible and interpretable as icons. As individual collections, they present a personal view of an individual world, while as a whole they provide a universal view of the perceptible origin of contemporary architecture.” The Images of Architects, edited by Valerio Olgiati.
With Architects David Adjaye; Manuel and Francisco Aires Mateus; Alejandro Aravena; Ben van Berkel; Mario Botta; Alberto Campo Baeza; Adam Caruso and Peter St John; David Chipperfield; Preston Scott Cohen; Hermann Czech; Roger Diener; Peter Eisenman; Sou Fujimoto; Antòn Garcìa-Abril; Go Hasegawa; Jacques Herzog and Pierre de Meuron; Steven Holl; Anne Holtrop; Junya Ishigami; Arata Isozaki; Toyo Ito; Bijoy Jain, Studio Mumbai; Momoyo Kaijima and Yoshiharu Tsukamoto, Atelier Bow-Wow; Christian Kerez; Hans Kollhoff; Winy Maas, MVRDV; Peter Märkli; Jürgen Mayer H.; Richard Meier; Glenn Murcutt; Ryue Nishizawa; Valerio Olgiati; John Pawson; Cecilia Puga; Smiljan Radic; Richard Rogers; Kazuyo Sejima; Jonathan Sergison and Stephen Bates; Miroslav Šik; Àlvaro Siza Vieira; Eduardo Souto de Moura; Robert Venturi and Denise Scott Brown; Peter Wilson, Bolles + Wilson; Peter Zumthor.
From February 11 until May 2, 2015, Tensta konsthall, Stockholm, will show Frederick Kiesler: Visions at Work an exhibition of Frederick Kiesler’s genuinely transdisciplinary work. Frederick Kiesler (1890–1965) was an architect, artist, scenographer, pedagogue, theorist and – not least – a groundbreaking exhibition designer.
From the 1920′s constructivist-inspired theater exhibitions in Vienna and Paris and the early 1930′s acclaimed shop window presentations in New York City to the legendary scenography for Peggy Guggenheim’s Manhattan gallery Art of This Century (1942) and the collaboration with Marcel Duchamp, Kiesler paved the way for a dynamic view of the art experience.
Working with the monumental ‘The Shrine of the Book’ (1965) in Jerusalem, he extracted ideas and forms from his often reproduced ‘Endless House’, a visionary bio-morphic building where, to quote Kiesler himself, ‘all the ends meet’ . Underlying much of Kiesler’s work were his thoughts on the continual interaction between man and his natural and technological environments, as defined in the theory of correalism. Although Kiesler was a member of de Stijl, a close friend and collaborator of Duchamp, André Breton, Alfred H. Barr and several other key figures in the art of the 1900′s, as well as an influential teacher at Columbia University in New York, he is something of an unknown.
The exhibition will feature models and documentations of Kiesler’s designs for exhibitions, buildings, interiors, shop-windows, etc. from various periods. The exhibition will also include prototypes, including those of his Mobile Home Library and the mass-produced so-called correalist furniture, among others. The focus will be on Kiesler’s interest in the intersection between art and life and how this manifests in his works. The artist Céline Condorelli, who has a long-time interest in exhibition design and modes of presentation, will contribute to the project.
198 Wood Joints (an inventory) is the first ever published compilation of wood joints technics of that size, presented in the guise of an impressive axonometric series created and realized by Elias Guenoun. The book ends with a postface by the author (an architect and architecture theoretician) depicting the origins and ambitions of the project. 198 Wood Joints is not only a useful and practical technical collection for wood workers, it is also a formal object with state of the art graphics (by the reknown French graphic designer Philippe Millot) recalling Conceptual Art series of the 70s in the US, such as Sol LeWitt cubicle permutations artworks for instance.
Offprint Paris, November 14-16, 2014, Beaux-arts de Paris, is an art-publishing fair featuring discerning publishers on art, photography, design and experimental music labels. This year’s edition showcases more than 130 publishers, from over 20 countries (all participants now announced on the website), selected by Yannick Bouillis, Charlotte Cheetham and Maxime Guitton.
On the occasion of the exhibition Architecture by Line in Lausanne, an artist’s book has been published by Nieves and brings together for the first time, as individual leporellos, the four long drawings Saul Steinberg produced for the Children’s Labyrinth, a spiraling, trefoil wall structure at 10th Triennial of Milan, a design and architecture fair that opened in August 1954. The drawings were photographically enlarged and incised into the wall.
The Line, which begins and ends with a hand drawing, is Steinberg’s manifesto about the conceptual possibilities of the line and the artist who gives them life. As the horizontal line shifts meaning from one passage to the next—water line, laundry line, railroad track, among others—it comments on its own transformative nature. The Line occupied one of the structure’s three leaves, while the other two hosted Types of Architecture, Shores of the Mediterranean, and Cities of Italy.
Types of Architecture is a satirical survey of world architecture (Steinberg was trained as an architect in Milan), from America’s log cabins to Bauhaus exaggerations to fragile skyscrapers.
Shores of the Mediterranean presents a sailor’s-eye-view of the Mediterranean coastline, filled with the ruins and renascences of successive civilizations.
The Italy Steinberg knew as a student in the 1930s resonates in Cities of Italy, as the inked line, drawn with the artist’s usual spare elegance, imagines an urban sprawl of campaniles, factories, piazzas, apartment houses, curlicued domes, and a water tank that seems to have escaped from a carnival.
Since the invention of photography, architecture has proved a worthy subject for photographers and, in turn, photography has played an important role in how architecture is communicated. Shooting Space: Architecture in Contemporary Photography, a book by Elias Redstone, examines a critical relationship between the two practices today through the work of fifty international well known and emerging artists: Annie Leibovitz captures the construction of Renzo Piano’s New York Times building; James Welling revisits Philip Johnson’s iconic Glass House; Walter Niedermayr shifts perspectives on SANAA’s sculptural designs; and Thomas Ruff tests the limits of Mies van der Rohe’s geometries…
Divided into five chapters, the book covers collaborations between photographer and architect, global urbanization, alterations to the natural landscape, reappraised Modernist icons, and imagined environments. Presenting a unique study of outstanding work in contemporary architectural photography, Shooting Space not only offers an exciting survey of photographers at the intersection of two genres, but will reward the reader with a considered survey of our built environment.
Book launches, October 9, from 6pm, at Yvon Lambert Bookshop in Paris, and October 20, from 6pm, at Bookmarc in Los Angeles.
September 26–28, 2014, Printed Matter presents the ninth annual NY Art Book Fair, at MoMA PS1, New York. Free and open to the public, the NY Art Book Fair is the world’s premier event for artists’ books, catalogs, monographs, periodicals, and zines. Last year, the fair featured nearly 300 booksellers, antiquarians, artists, institutions and independent publishers from twenty-six countries. NYABF14 is also full of programming and special events.
New issues: The Exhibitionist #9- E.R.O.S. issue 4 – Apartamento issue #13 – The Travel Almanac no. 7 – TOO MUCH Issue 5 – May n° 12
The Exhibitionist is as a journal by curators, for curators, in which the most pertinent questions on exhibition making today would be considered and assessed. Modeled after the iconic French film journal Cahiers du cinéma, the journal is meant to serve a critical role in understanding current curatorial practices through a number of editorial formats focused specifically on the critical and historical importance of exhibitions.
The Exhibitionist #9, featuring Christopher Lee on the cover, introduces, among others, a new long-form section titled “Rigorous Research”; for this first installment, Italian curator and writer Germano Celant addresses the evolution of exhibition spaces in the 19th and 20th centuries, and certain seminal exhibitions that established new standards by reacting to the existing models of design and display.
E.R.O.S. is dedicated to the subject of desire. It covers a wide range of fields, drawing together often disparate disciplines under the auspices of each issue’s theme. Alongside newly commissioned work, E.R.O.S. contains excerpts, reproductions and reappraisals.
E.R.O.S. issue 4 contributors are John Baldessari, Sami Jalili, Federico Campagna, Emma Jones, Mark Fisher, Sharon Kivland, Ed Atkins, Patrick Staff, Andrew Calimach, Saul Newman, Simon Critchley, AA Bronson, Jamie Sutcliffe, Dan Walwin, Luke Burton, Franco ‘Bifo’ Berardi, Richard Wentworth.
Apartamento is an everyday life interiors magazine. A place in print about people, not just objects. Apartamento features the homes and lives of creative people, both established and emerging, from all over the world. It understands interior design as a means of personal expression, showing how people arrange their homes and the solutions they find to the same problems that everyone has. Apartamento puts forward a fresh and simply crafted aesthetic. It cares about the way people live and their relationships to the places they live.
Apartamento issue #13 features Wes Anderson, Anissa Helou, Joel Chen, Rafael Horzon, Jack Pierson, Faye Toogood, Marie Honda, Richard McConkey, Jean-Charles de Castelbajac, Adel Husni Bey & Mirella Clemencigh, Arturo Rhodes, Fabiola Alondra, Bernhard Willhelm, Andy Rementer & Margherita Urbani, Oscar Tusquets Blanca, Peter Shire. With The Girards, a special supplement about the legacy of Alexander Girard & Humor Furniture Graphic a portfolio by Luciano Consigli.
The Travel Almanac is a Berlin- and New York- based print publication focusing on traveling & temporary habitation, addressing an increasingly mobilized creative community, it is the first publication of its kind to speak to this sophisticated generation of travelers.
Contributors for The Travel Almanac Issue no. 7 are Gia Coppola, Ryan McGinley, Christophe Lemaire, David Chipperfield, Cordula Reyer, Phil Collins.
TOO MUCH gathers thoughts about cities, the people who live in them, and the changes affecting our society and our environment. It’s a magazine about romantic geography.
TOO MUCH Issue 5 is about looking at the body in space, and ways in which we have biologically and socially entered into the built environment, and how we are then changed into the process. With contributions by Francis Upritchard, Hidemasa Yatabe, Manabe Daito, Cara Phillips, Naoki Ishikawa, Shinya Aota, Madeline Gins, Ari Marcopoulos, Fala, Yayako Uchida, Takashi Homma, Fumihiko Maki, Arata Isozaki, Hiroshi Hara, Kengo Kuma and Nagao Nishikawa.
May is a bilingual (French/English) quarterly publication conceived as an experimental platform for new forms of criticism. May proposes to examine matters pertaining to the field of contemporary cultural production through the publication of essays, exhibition reviews and interviews with international contributors varying from scholars to critics, artists, writers and curators.
May n° 12 is the third and final section devoted to the 1990s in France, with contributions by Georges Rey, Florence Bonnefous, Éric Troncy, Yves Aupetitallot, Elein Fleiss, Dominique Gonzalez-Foerster, Bernard Joisten, Jean-Luc Vilmouth, Olivier Zahm, Nicolas Bourriaud, Renaud Jerez, Roy Genty, Annie Godfrey Larmon, Nick Mauss, Neil Beloufa, Jacob King, Vincent Normand, Damon Sfetsios, Elise Duryee-Browner, Jana Euler.
Project investigates the possibilities for developing a critical position in contemporary architecture. Publishing both visual and written work, the goal of Project is to provide a platform for disseminating ideas. Each issue includes an insert devoted to visual presentations of contemporary projects. The journal also features writing in several formats: polemical essays by architects and critics; extended conversations with significant figures in the field; long-form critical writing; and short readings of provocative images and projects. Project focuses on publishing young architects who take strong positions and engage in debate and critical evaluation of the field.
Issue Three includes contributions from common room & Kim Förster, Reinier de Graaf (OMA/AMO), Neil Denari, Edward Eigen, Formless Finder, Adam Fure, John May, Magnus Nilsson, Valerio Olgiati Architect, Pezo von Ellrichshausen, Lola Sheppard (Lateral Office), Jill Stoner, Tom Wiscombe and more… Launch April 9, from 7pm, at common room, New York.
Our material world is made up of a succession of layers; generation by generation, work by work, each new layer is informed by and created in dialogue with the existing material strata. The food we eat, the spaces we occupy, the written and visual media we engage with, the songs we listen to, the art we spend time with, the films we watch, and the objects we live with were all informed by past material culture and, in turn, will influence future creative decisions. The objects presented in Source Material exemplify the material foundation from which creative work is made today.
Source Material – April 8 to 12, Kaleidoscope Project Space, Milano – presents the objects, keepsakes, and references that have had a pivotal effect on the work of fifty-four creative minds from the fields of architecture, art, cuisine, design, fashion, film, and music, such as Erwan & Ronan Bouroullec, Thomas Demand, Konstantin Grcic, Jürg Lehni, Mike Meiré, Mike Mills, Harsh Patel, Benjamin Sommerhalder, Wendy Yao, etc… Found within the contributors’ everyday working or living environments, these objects are stepping-stones for the creative process.
Images: Massimo Torrigiani, Leggio; Marco Velardi, Disegnare Colorare Costruire, book series curated by Bruno Munari; Jürg Lehni, A Guide to Architecture in Southern California by David Gebhard, Robert Winter; Andrew Stafford, Scale furniture.
Since 1967, designers and architects Trix and Robert Haussmann have built an idiosyncratic oeuvre that has continuously challenged architectural, design and aesthetic conventions. In the 1960?s they began to elaborate a complex language that can be viewed as an early post-modern or Radical Design position. Throughout their fifty year long career they have explored many creative perspectives, such as poetry composed by chance, drawings, collages and texts.
Disrupting or “destroying” spaces and forms could be one of the Haussman?s mottos. For instance, their drawer, shaped in the form of a Greek column, is literally “destroyed” by its function (the opened drawers). This work in particular is a direct, deadpan nod to Sullivan?s famous statement “form follows function”. It?s not surprising that the Haussman?s 1981 manifesto was published under the title of “Manierismo Critico”. In contrast to other designers and architects, Trix and Robert Haussmann are acutely conscious that an object can be more a vector of meaning than a functional or aesthetic item. This relationship to the object opened them up to a broader vision of what it means to be an architect today.
The exhibition, from April 26 to June 15, 2014, at Fri Art, Fribourg, entirely conceived in close collaboration with the architects over a long period of time, examines every aspect of their research. Nevertheless, far from being a classical retrospective, it will weave together different bodies of works.
Since five years, two schools with a course in Graphic Design, Werkplaats Typografie (ArtEZ), Arnhem, The Netherlands and ISIA Urbino, Italy, joined together to set up an international Summer School. The sixth edition will take place from July 20th till August 1st in the renaissance town of Urbino.
The supervisors during the two week workshop will be Karel Martens, Armand Mevis, Maureen Mooren and Leonardo Sonnoli and the call for application is dedicated to (young) professionals and students in the field of (graphic) design, and surrounded practices (like writing, photography, illustration, publishing), or art, architecture and theory related practices.
It doesn’t matter how old you are, where you’re from, what your background is, what your interests are, how much experience or education you had. This Summer School offers an opportunity for anyone who is talented, inspiring and a non-conventional thinker and maker. Candidates, with an authentic, open and critical mind, who are interested to learn, to explore and re-think their own work in a unique context and who don’t mind working over summer are welcome to apply.
The Fox issue 4 is loosely a continuation of the 1970′s journal The Fox produced by the artist’s collective Art & Language, however this regenerated version deviates from the concerns of the past publication, instead holding a closer link to the ‘natural world’, particularly the urban fox as a medium through which to explore attitudes towards the city, culture, nature, labour, architecture and design.
Designed by Mathew Whittington and with contributions by Daniel Arsham, Federico Campagna, Mike Davis, Mabli Elliman, Paul Elliman, Kristen Gallerneaux Brooks, Valentijn Goethals, Bill Hutchison, Esther Leslie & Ben Watson, Tetsuo Mukai, Leonard van Munster, Melissa Pilon, and Hermione Spriggs, as well as a selection of re-published material from the 19th and 20th century. Launch December 14, 3-5pm, Wysing Art Centre, Cambridge, as part of X Marks the Bökship’s X-Operative.
Offprint Paris is an art publishing fair for emerging practices in art. Over four days, it gathers institutional and independent publishers from all over the world featuring publications by contemporary artists, graphic designers, photographers, publishers, bookdealers, museums, art schools, curators and antiquarians.
The Most Beautiful Swiss Books competition was established to promote and reward top-quality book design in Switzerland. The awarded books become part of an exhibition which will stop off in London during Thoughts on a Book. The event this year, November 22, 2013, 7pm, Open School East, London, will take a closer look into one of the awarded books: Trix + Robert Haussmann, edited by Fredi Fischli and Niels Olsen (Studiolo). Both the architects, Trix & Robert Haussmann, and the editors will give a talk about their collaboration, showcasing their process of working together.
LA DÉRIVE – Chapter I, November 17, 2013 – during Offprint, an Art Publishing fair – November 14-17, Beaux-Arts de Paris – invites the visitors to take various paths within the large and rich landscape of independent publishing in art and design. As advocated by La Dérive (in English Drift) of Guy Debord, the program is built around several specific ambiances, highlighted: the main idea being to let go of expectations and habits and to just wander among pleasant encounters… With contributions by Ramaya Tegegne, Erik van der Weijde, Jan Wenzel, Postdocument, De Stihl, and Etienne Robial.
Ceci tuera cela? L’édition d’architecture comme contre-archive: située à la confluence de la transmission (dans le temps) et de la communication (dans l’espace), l’architecture résiste à son archivage érudit. Victor Hugo prophétisait que l’imprimé républicain tuerait le monument ecclésial ; mais qu’en est-il de l’édition d’architecture à l’âge des traitements de données et des villes connectées ?
À partir de leurs expériences de chercheurs, le 7 novembre, à 19h, au Centre Pompidou, Paris, les Éditions B2 et trois de ses auteurs évoqueront la documentation qui, par le texte et l’image, balise la temporalité de la recherche, de la rédaction et de l’édition — mais aussi celle de la diffusion et de la transformation…