In Paris, New York, London, and Los Angeles, show posters for concerts with all-star lineups have been tempting passersby and drivers to attend Madison Square Garden or the Bowery Ballroom, L’Elysee Montmartre or the Wiltern. The months and days of these concerts are listed but not the years, spelling errors are spotted-choice exclusions that add to the growing doubt that these dream acts will ever grace the stage all together on one night. Double-take on these worn posters and you’re not even sure if they’re coming up or something missed and legendary from long ago, but posted in public space, the anticipation is real. Upon closer inspection we see that these epic concert announcements are actually paintings of lineups that only exist in the imagination of artist Andre Saraiva. The artist returns to The Museum of Contemporary Art, Los Angeles, until october 8, 2013, for an installation of these painted announcements, visual evidence of the buzz that signs can create when circulated in the streets.
The Typografische Monatsblätter is one of the most important journals to successfully disseminate the phenomenon of “Swiss typography” to an international audience. With more than 70 years in existence, the journal witnessed significant moments in the history of typography and graphic design.
30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter examines the years 1960–90, that correspond to a period of transition in which many factors such as technology, socio-political contexts and aesthetic ideologies profoundly affected and transformed the fields of typography and graphic design. The book includes a large number of works from well-known and lesser-known designers such as Emil Ruder, Helmut Schmid, Wolfgang Weingart, Hans-Rudolf Lutz, Jost Hochuli and many others.
Printed Matter presents, from September 20 to 22, at MoMA PS1, New York, the eighth annual NY Art Book Fair, the world’s leading event for artists’ books, catalogs, monographs, periodicals, and zines showcased by more than 280 booksellers, antiquarians, artists, and independent publishers from more than twenty countries.
Among other special programming, The Classroom, a curated series of informal conversations, workshops, readings and other artist-led programs, is also an informal venue for artists, writers and publishers to feature new releases and present their publications. Participants include Tréy Sager with Badlands Unlimited (New York); Olof Olsson with Rollo Press (Switzerland); Linda Simpson with Peradam (New York); Elisabeth Tonnard and Chris Burnett with J&L Books (Scranton, PA); Amish Morrell with C Magazine (Canada); the curators of the Libros Mutantes Book Fair (Spain), etc.
An exhibition of book works by Bruno Munari, presented by Edizioni Corraini, will be housed in the courtyard dome. The exhibition includes a collection of rare and out-of-print artist and design books by the late Italian artist, offering a comprehensive survey of his influential career. Selections from the private collection of Giorgio Maffei will be on view as well…whole program on NY Art Book Fair 2013 website.
This Book is a Classroom is a publication about art education, self-organised institutions, and circular communication; edited and devised by Lucie Kolb & Romy Rüegger, Passenger books and HIT. Book launch, July 10 2013, 7pm, X Marks the Bökship, London.
“…We would like to learn, and we are working on a book. The room it offers is circumscribed and structured by the book‘s parameters: format, binding, jacket, title page, layout, preface, postface, table of contents, captions, cross headings, intertitles, annotations, editorial notes, appendix, blurb, names and accessories. This book is a classroom. We invite you to play this classroom together with us – a play to be played indoors or out, I wish to be a school – by a text or picture contribution; as a professor, student, guest, friend, reader, lecturer, listener, assistant, staff, animal, as equipment, materials, furniture, architecture or sound …” (Corinn Gerber, Lucie Kolb, Romy Rüegger)
HANS LE MALIN est une publication qui questionne les pratiques de production d’éléments narratifs et leur déploiement dans l’espace médiatique. Pour ce faire, des méthodes d’investigation associées à la conception d’outils orientent l’écriture d’articles. L’enquête est un moyen d’accumuler et de réunir des indices mais aussi de formuler des hypothèses.
Les postulats en études sont confrontés lors d’entretiens avec des personnalités évoluant dans les champs de la recherche, du design, de la photographie ou du journalisme. Rassemblés en ligne, les contenus sont susceptibles d’être édités, imprimés, reliés et distribués lors d’un événement dédié à cette étape.
Présentation par Tanguy Wermelinger, le 22 juin 2013, 14h, 22RUEMULLER, Paris.
Sky Arts Ignition: Memory Palace – june 18 to october 20, 2013, Victoria and Albert Museum, London – brings together a new work of fiction by the author Hari Kunzru with 20 original commissions from leading graphic designers, illustrators and typographers to create a multidimensional story. The way we read books is changing. Memory Palace explores how a story might be imagined in a different format – as a walk-in book.
With work by Âbäke, Peter Bil’ak, Alexis Deacon, Oded Ezer, Francesco Franchi, Isabel Greenberg, Hansje van Halem, Jim Kay, Johnny Kelly, Erik Kessels, Na Kim, Stuart Kolakovic, Frank Laws, Le Gun, Luke Pearson, Stefanie Posavec, Némo Tral, Henning Wagenbreth, Mario Wagner and Sam Winston.
Hari Kunzru’s story is set in a future London, hundreds of years after the world’s information infrastructure was wiped out by an immense magnetic storm. Technology and knowledge have been lost, and a dark age prevails. Nature has taken over the ruins of the old city and power has been seized by a group who enforce a life of extreme simplicity on all citizens. Recording, writing, collecting and art are outlawed…
The chosen practitioners work across a variety of fields, from comics and editorial illustration to advertising and typography. Each of the designers and illustrators worked on a different passage of text from the story, responding freely to the text. The resulting commissions vary dramatically in scale and format, from intricate hand-drawn works to large three-dimensional environments.
Since 1943, when Jan Tschichold proposed to honor the most beautiful Swiss books with an annual award, the competition for this title has become very popular and is heard of not only in Switzerland but around the world. A fact that is less well-known is that the title was not awarded between 1946 and 1948 and no books were submitted to it during this time.
This gap in the long-standing tradition of the award provided the background for
The missing years of the most beautiful Swiss books: 1946, 1947, 1948, a project by Corina Neuenschwander & Roland Früh, which consists in an exhibition, a series of lectures and a research project, that discussed book production and design in Switzerland – with a focus on this specific period, but also with regard to the present situation.
In the The missing years of the most beautiful Swiss books: 1946, 1947, 1948 book, Experts such as Jost and Ursula Hochuli, François Rappo, Andreas Schwab as well as many others explain in 14 concise statements their selection of “the most beautiful books” from these years. These authors contributed essays but also texts on their personal interest in and their relationship to books. International authors such as Robin Kinross, Yann Chateigné Tytelman, Severin Rüegg, Philipp Messner, Noah Stolz, Ulrike Meyer Stump and Patrick Gosatti wrote on more specific aspects, starting with the different aspects of book production and design. The book intends to contribute to the discussion among book experts and provides a contemporary commentary on the crucial elements and aspects of book production – now and then. Launch of the book June 22, 17:30, Corner College, Zürich.
The 4th Independent Publishers and Zine Fair Vienna will be hosted June 28-30, 2013, by Kunsthalle Wien at Museumsquartier, with more than sixty local and international exhibitors and artists exhibiting, selling, and exchanging their works.
Alongside the exhibitors, ten artists (including Matthew Brannon, AA Bronson, Kerstin Cmelka, Sture Johannesson, David Jourdan, Stefanie Sargnagel, and others) will punctuate the fair with editions and interventions—some in the form of performances, some as prints, others as t-shirts. As a special exhibition, Hubert Winter, the Viennese gallerist, will curate a selection of art books and ephemera from his vast collection of works from some of the best-known ’60s and ’70s conceptualists. Parallel to the fair, a series of talks and discussions by a selection of expert speakers will touch on emerging practices and debates within zine culture, and will illuminate issues relating to independent publishing today.
The Most Beautiful Swiss Books recognizes excellence in the field of book design and production, as well drawing attention to remarkable and contemporary books by Swiss designers, printers and publishers. The Jan Tschichold Award 2013, which honours excellence in the field of book design, goes to the typographer and graphic designer François Rappo from Lausanne.
June 27-30 2013, The Most Beautiful Swiss Books will be exhibited at the Helmhaus, Zürich, alongside the simultaneous publication of the catalogue showcasing the competition. On the occasion of the exhibition opening, the Jan Tschichold Award winner will be presented his award. In the context of the exhibition, a book fair, presenting recent publications from small Swiss and European presses, will be held June 29.
FIGURE is a Paris-based cultural journal featuring art, design, music, architecture, nature, photography, medias, gastronomy, style, sport and art de vivre investigations.
A year ago, editors Côme de Bouchony & Vincent de Hoÿm received a letter saying that they would trespass trademarks rights with the name Figure. They entered into negotiations for keeping their beloved name but the opposing party was not willing to agree to any compromises.
So they decided to make a clean sweep and get a fresh new name, and they have 51 possible new ones: 51 French words and expressions used by English speakers, compiled in this newspaper, a very limited collectors special edition, currently showed at Laurent Mueller gallery in Paris.
The Letter E is Everywhere – June 6 – August 9, 2013, Archivo Diseño y Arquitectura, México – works as a book that contains different stories, letters, texts and images unfolding into space. Instead of pages, the display structures and furniture pieces allow books, prints, objects and textiles designed by Studio Manuel Raeder, to be juxtaposed with other objects found during an exploration of local handcraft production in Oaxaca. The exhibition also features three furniture pieces developed as a result from this research, in collaboration with Oaxacan artisans.
The Letter E is Everywhere is shaped by the objects mentioned earlier, and by the display structures developed especially for the exhibition. The exhibition presented in Archivo adopts pieces from its collection, focusing on objects whose production converses between craft and design practice: industrial, mass-produced popular objects, handicrafts, and furniture pieces whose form-function relation appears as rustic, but nevertheless shows much attention to detail and technique. The exhibition proposes an open narrative through the objects on display and questions the position contemporary design plays in the dialogue between people and every day objects. At the same time, it reflects the approach that Manuel Raeder and his studio have about their practice, where design is used as a tool that is constantly reconsidered and customized.
Asterisk Summer School will take place in Tallinn, Estonia, from July 28 to August 4. The aim of the school is to introduce participants to different directions in the graphic design discipline and to expand the definition of graphic design practice. This includes exploring the different outputs design education could lead to – ones that differ from the common designer-client model. The participants are provided with the chance to experiment with various design methods and approaches and to get feedback from designers and artists from abroad.
The tutors at the summer school are designers and artists from abroad whose practices are directly linked to design but don’t always follow the classical definition of a designer. These tutors are Rebecca Stephany, Paul Elliman, Joris Kritis and Urs Lehni.
Application deadline: June 24, 2013.
What to Expect from a Graphic Designer is a discussion that will take place May 28, 2013, 6pm, Spike Island, Bristol, hosted by designer James Langdon with members of London-based design studio Europa. Using examples of past projects, they will discuss working collaboratively with artists from both technical and creative perspectives, with plenty of opportunities for questions and conversation.
Experimental Jetset updated their website with old stories, new works and early interviews.
The artist Veronika Spierenburg has regularly been visiting the Art Library in the Sitterwerk, St.Gallen, since 2010 where she became the “collector of the collection”. Individual pages of books from the Art Library, of which she has recorded a total of some 30,000, are her personal inventory. She then reduced in collaboration with the graphic designer Simone Koller this selection further to a specific compilation, published as an artist’s book, In Order of Pages, simultaneous to the exhibition Between Handle and Blade, which consists of individual interventions that examine the book as subject matter or refer to it in a broader sense.
The Book Affair is a two day independent publishing fair held at the Library of San Lorenzo, Venice, May 30-31, 2013. The mission of The Book Affair is to act as a platform for engagement with and critical exploration of the artist’s book, and includes a series of conferences – with among others David Reinfurt & Stuart Bailey, and David Horvitz – and an exhibition organized with the idea of examining the production of books in contemporary art. The exhibition “Artist’s books. A parallel story”, curated by Giorgio Maffei, Italian curator and historian, uses the book media with the intention of offering a different way of conveying art history to the public.
Sainte-Victoire – Corporate Identity – May 15-31, 2013, Galerie de l’erg, Brussels – is the first exhibition project proposed by Musée des Erreurs, recently opened by the artist Pierre Leguillon, who’s always been concerned about building new tools dedicated to images and their dissemination.
The title of this exhibition refers to a statement in a letter Hamilton wrote in 1980: “My admiration for the work of Dieter Rams is intense and I have, for many years, been uniquely attracted towards his sensibility; so much so that his consumer products have to come to occupy a place in my heart and my conscioussness that the Mont Saint-Victoire did in Cezanne’s.”
The different identities gathered in Sainte-Victoire are presented in a way as to reflect into one another. Beyond singular identities, there is the idea of images from brands or corporate identity that is also at play. Between subjectivity, style and function, the designer also works at sculpting, shaping and interpreting the concept of the company he is working for. However, the shape this concept takes derives from inspiration mechanisms, cultural settings, reference searches, which in turn nourish different artistic practices and fields of creation. In view of that, the idea of « model », of « origins » ex nihilo explodes in favor of the ready-made: the creator is the one who chooses, finds, understands or subverts the way in which an object is first considered. Yet, these operations happen through a flux of multiple sources which the Musée des Erreurs is trying to crystallise…
Dialog der Schrift is a symposium and accompanying exhibition, May 23-25, 2013, Muthesius Academy of Art and Design, Kiel. Lecturers out of the areas of design, philosophy, literature and language will examine the act of reading from new perspectives.
With Ludovic Balland, typographer; Paulus M. Dreibholz, typographer und publisher; Oswald Egger, author, poet, philosopher; Dr. Theresa Georgen, art historian; Dr. Annette Gilbert, literary scholar; Hansje van Halem, graphic designer; Prof. Dr. Manfred Sommer, philosopher; Walter Pamminger, chemist, book designer, author, graphic-collector, theoretician.